Table of Contents

List of illustrations
Preface
Acknowledgements
1. An introduction to modern Algerian history and politics
2. A brief history of Algerian cinema
3. The war of liberation on screen: trauma, history, myth
4. Representing gender: tradition and taboo
5. Berber cinema, historical and ahistorical
6. After ‘Black October’: mourning and melancholia
7. Screening the ‘invisible war’
8. Memory and identity: from lost sites to reclaimed images
9.Conclusion: Algerian national cinemas
Filmography

About the Author

Guy Austin is Professor of French Studies and Director of the Research Centre in Film and Digital Media at Newcastle University