Table of Contents

Chapter 1 Introduction; Chapter 2 Roots of Mary Shelley’s Dramatic Sensibility; Chapter 3 Frankenstein: Storytelling as Dramatic Performance; Chapter 4 Mathilda: Life as Theatrical Production; Chapter 5 The Last Man: Autobiography as Drama; Chapter 6 Valperga: Theatrical Plots and Dramatic Intrigue; Chapter 7 Perkin Warbeck: Problematic Roles and Identities; Chapter 8 Lodore: Public Spectacle and Private Lives; Chapter 9 Falkner: The Illusion of Romance; Chapter 10 Conclusion;

About the Author

Charlene E. Bunnell