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Analyzing Popular Music


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Table of Contents

Acknowledgement; Contributors; 1. Introduction Allan F. Moore; 2. Popular music analysis: ten apothegms and four instances Robert Walser; 3. From lyric to anti-lyric: analysing the words in pop songs Dai Griffiths; 4. The sound is 'out there': score, sound design and exoticism in The X-Files Robynn J. Stilwell; 5. Feel the beat come down: house music as rhetoric Stan Hawkins; 6. The determining role of performance in the articulation of meaning: the case of 'Try a Little Tenderness' Rob Bowman; 7. Marxist music analysis without Adorno: popular music and urban geography Adam Krims; 8. Jethro Tull and the case for modernism in mass culture Allan F. Moore; 9. Pangs of history in late 1970s new-wave rock John Covach; 10. Is anybody listening? Chris Kennett; 11. Talk and text: popular music and ethnomusicology Martin Stokes; Bibliography; Discography; Film/Videography; Index.

Promotional Information

It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with.

About the Author

Allan F. Moore is Professor of Popular Music and Head of the School of Performing Arts at the University of Surrey. He is author of Rock: The Primary Text and editor of The Cambridge Companion to Blues and Gospel Music. He is also co-editor of the journals Popular Music and Twentieth-Century Music


"Popular music experts will certianly be stimulated by the scholarship contained in this volume." Notes

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