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The Bad Trip
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An intriguing, first-of-its-kind cultural history of the turn of the 1960s

About the Author

James Riley is a Fellow of English Literature at Girton College, Cambridge, focusing on modern and contemporary literature, popular film and 1960s culture. He co-edited The 1960s: A Decade of Modern British Fiction (Bloomsbury, 2018). He also makes films and performs spoken word poetry.

Reviews

Dense with conspiracies, chaos and apocalyptic death drives, The Bad Trip is a history that makes perfect sense when the sky is falling down. -- The Sunday Times
A fascinating look at one of the most intoxicating eras of pop - when flower power blossomed and then wilted as it gave way to its darker side. -- Mark Radcliffe
The Bad Trip is a good trip: an essay on the power of art in dark times. In our own dark times, half a century later, that's something worth reading. -- The Business Post
'Brilliant ... a total trip" -- Paul Ross, talkRADIO
A useful guidebook to the self-regarding Sixties counterculture -- Mail on Sunday
A fresh take on an altogether over-discussed, if rarely very carefully analysed, era. His chapter The Omega Men is particularly good at steering a path through cinema and publications that predicted a bleak future, or suggested how that might be averted. -- The Herald
Essential reading for enthusiasts of 1960s transatlantic counter-culture, written with verve and brio. Riley is an expert tour guide -- Douglas Field, senior lecturer in literature, University of Manchester
A dazzling account of the decline and fall of the 60s dream, forging links between US and UK countercultural practices. -- Mark Goodall, author & senior lecturer in film, University of Bradford
While the depth of knowledge is impressive ... it's the joining of the (micro) dots linking occult energies to these events which will keep 60s obsessives up at night -- Paul Moody, Classic Rock Magazine
Suffice to say this is one timely and captivating tome ... Impressively in-depth, wide-reaching and thought-provoking. ***** -- Shindig
Refreshingly deep and provocatively different [...] reinstalling the vanishing art of good writing -- Record Collector Magazine

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