Colm Toibin was born in Enniscorthy in 1955. He is the author of eight novels including Blackwater Lightship, The Master and The Testament of Mary, all three of which were nominated for the Booker Prize, with The Master also winning the IMPAC Award, and Brooklyn, which won the Costa Novel Award. He has also published two collections of stories and many works of non-fiction. His most recent novel is Nora Webster. He lives in Dublin.
Colm Toibin's engaging new novel, Brooklyn, will not bring to mind the fashionable borough of recent years nor Bed-Stuy beleaguered with the troubles of a Saturday night. Toibin has revived the Brooklyn of an Irish-Catholic parish in the '50s, a setting appropriate to the narrow life of Eilis Lacey. Before Eilis ships out for a decent job in America, her village life is sketched in detail. The shops, pub, the hoity-toity and plainspoken people of Enniscorthy have such appeal on the page, it does seem a shame to leave. But how will we share the girl's longing for home, if home is not a gabby presence in her emigre tale? Toibin's maneuvers draw us to the bright girl with a gift for numbers. With a keen eye, Eilis surveys her lonely, steady-on life: her job in the dry goods store, the rules and regulations of her rooming house-ladies only. The competitive hustle at the parish dances are so like the ones back home-it's something of a wonder I did not give up on the gentle tattle of her story, run a Netflix of the feline power struggle in Claire Booth Luce's The Women. Toibin rescues his homesick shopgirl from narrow concerns, gives her a stop-by at Brooklyn College, a night course in commercial law. Her instructor is Joshua Rosenblum. Buying his book, the shopkeeper informs her, "At least we did that, we got Rosenblum out." "You mean in the war?" His reply when she asks again: "In the holocaust, in the churben." The scene is eerie, falsely naive. We may accept what a village girl from Ireland, which remained neutral during the war, may not have known, but Toibin's delivery of the racial and ethnic discoveries of a clueless young woman are disconcerting. Eilis wonders if she should write home about the Jews, the Poles, the Italians she encounters, but shouldn't the novelist in pursuing those postwar years in Brooklyn, in the Irish enclave of the generous Father Flood, take the mike? The Irish vets I knew when I came to New York in the early '50s had been to that war; at least two I raised a glass with at the White Horse were from Brooklyn. When the stage is set for the love story, slowly and carefully as befits his serious girl, Toibin is splendidly in control of Eilis's and Tony's courtship. He's Italian, you see, of a poor, caring family. I wanted to cast Brooklyn, with Rosalind Russell perfect for Rose, the sporty elder sister left to her career in Ireland. Can we get Philip Seymour Hoffman into that cassock again? J. Carol Naish, he played homeboy Italian, not the mob. I give away nothing in telling that the possibility of Eilis reclaiming an authentic and spirited life in Ireland turns Brooklyn into a stirring and satisfying moral tale. Toibin, author of The Master, a fine-tuned novel on the lonely last years of Henry James, revisits, diminuendo, the wrenching finale of The Portrait of a Lady. What the future holds for Eilis in America is nothing like Isabel Archer's return to the morally corrupt Osmond. The decent fellow awaits. Will she be doomed to a tract house of the soul on Long Island? I hear John McCormick take the high note-alone in the gloaming with the shadows of the past-as Toibin's good girl contemplates the lost promise of Brooklyn. Maureen Howard's The Rags of Time, the last season of her quartet of novels based on the four seasons, will be published by Viking in October. Copyright 2009 Reed Business Information.
With this elating and humane novel, Colm Toibin has produced a
masterwork * Sunday Times *
The most compelling and moving portrait of a young woman I have read in a long time -- Zoe Heller * Guardian, Books of the Year *
A work of such skill, understatement and sly jewelled merriment could haunt your life -- Ali Smith * TLS, Books of the Year *
Suffused with humane depth, funny, affecting, deftly plotted ... a novel of magnificent accomplishment -- Peter Kemp * Sunday Times, Novel of the Year *
Brooklyn moved me more than any other book this year -- Nicholas Hytner * Observer, Books of the Year *
A beautifully crafted work that transformed ordinary lives into something extraordinary * Daily Telegraph, Books of the Year *
No book this year gave me greater pleasure -- Nell Freudenberger * Financial Times *
Not a sentence or a thought out of place. It takes over as his finest ficiton to date * Irish Times *
Remarkable freshness and immediacy ... with a lovely comedic lightness * Daily Mail *
A lovely, thoughtful book ... alive with authentic detail, moved along by the ripples of affection and doubt that shape any life: a novel that offers the reader serious pleasure * Daily Telegraph *
Tremendously moving and powerful * New Statesman *
Full of sly fun, lovely comic observation and an almost tangible pleasure in storytelling * Observer *
Refreshingly authentic . . . Eilis is so vivid it's difficult to believe she did not actually exist * Financial Times *
This latest from Toibin (The Master) begins in the southwestern Ireland town of Enniscorthy during the early 1950s, where dutiful daughter, doting sister, and aspiring bookkeeper Eilis Lacey lives with her mother and older sister, Rose. Her brothers have long since left Ireland to seek work in England, and Eilis herself soon departs for Brooklyn, NY. Once there, she attempts to master living and working in a strange land and to quell an acute and threatening loneliness. Initially friendless and of few means, Eilis gradually embraces new freedoms. She excels in work and school, falls in love, and begins to imagine a life in America. When tragedy strikes in Enniscorthy, however, Eilis returns to discover the hopes and aspirations once beyond her grasp are now hers for the taking. Toibin conveys Eilis's transformative struggles with an aching lyricism reminiscent of the mature Henry James and ultimately confers upon his readers a sort of grace that illuminates the opportunities for tenderness in our lives. Both more accessible and more sublime than his previous works, this is highly recommended. [See Prepub Alert, LJ 1/09.]-J. Greg Matthews, Washington State Univ. Libs., Pullman Copyright 2009 Reed Business Information.