Table of Contents

Part 0 ¡Desengaño! Part 1 Alphabetical Song Listing Part 2 Foreword Part 3 Preface Part 4 Acknowledgments Part 5 Introduction Part 6 Spanish Song Types of the Nineteenth Century Part 7 Pronunciation Guide to Castilian Spanish Part 8 Editor's Remarks Part 9 Cual de Aquestas Tres Cosas Part 10 No Hay Quien Dé Una Limosna Part 11 Un Medio de Que Vivas Part 12 El Chalán Part 13 A María Part 14 Rosa Part 15 A... Part 16 Lágrimas Part 17 A Mi Nazarena Part 18 El Beso del Poeta Part 19 Plegaria Part 20 Si al Mecer las Azules Campanillas Part 21 Nice Vengada o Los Ojuelos Part 22 Canciones del Hogar Part 23 El Despecho Part 24 Mis Descuidados Ojos Part 25 Seguidillas del Requiem Eternam Part 26 Si a Otro Cuadro me Quieres Part 27 El Barquero Part 28 La Serenata Part 30 ¡Mi Pobre Reja! Part 31 A la Incredulidad Part 32 El Túmulo Part 33 El Pelele Part 34 Niña Pancha Part 35 Las Castañuelas Part 36 Bibliography Part 37 Appendix 1: Songs Arranged by Level of Difficulty and by Gender, Volume 1, Canciones de Espana—Songs of Nineteenth-Century Spain Part 38 Appendix 2: Songs Arranged by Level of Difficulty and by Gender, Volume 2, Canciones de Espana—Songs of Nineteenth-Century Spain Part 39 Appendix 3: Songs Arranged by Level of Difficulty and by Gender, Volume 3, Canciones de Espana—Songs of Nineteenth-Century Spain Part 40 About the Editor

About the Author

Dr. Suzanne Rhodes Draayer, soprano, is professor of voice and related studies at Winona State University. She is the author of A Singer's Guide to the Songs of Joaquín Rodrigo (2003), and Canciones de España: Songs of Nineteenth-Century Spain, Volume I (2003) and Volume 2 (2005; all published by The Scarecrow Press, Inc.).

Reviews

This volume clearly sets out, with success, to provide a new standard for its repertoire.
*The Singer, Review of Vol. 1*

This anthology presents a selection of 31 songs for the high voice by 19th-century Castilian Spanish composers. Each has been phonetically transcribed into the International Phonetic Alphabet and is accompanied by both word-for-word and idiomatic translations. A brief biography of the composer is also supplied. Editor Draayer (voice, Winona State U.) summarizes the main song types employed by Spanish composers of the period in the introduction.
*Reference and Research Book News, May 2007*

...this is a splendid edition of much needed new material in the genre of Spanish song and one that should be valuable indeed to teachers and students alike.
*Journal of Singing, Review of Vol. 1*

a volume well worth investigating for lovely songs that will be new to the study and performance repertoire of all singers. To quote and echo Mr. Castel—"Thank you, Suzanne!"
*Journal of Singing, January-February 2008*