There are some killer photographs in this book. It's somewhat obvious that photography is all about looking carefully, but it's a lot less obvious what this actually means. One of the problems with so much photography produced these days is that it replaces the careful looking with a hyper-caffeinated gawking. Now that's fine for a little entertainment, but just like the caffeine will wear off, so will the pictures (and you're left with, well, not much). Goldblatt is too smart a photographer to allow this to happen.
Especially the best photographs in Particulars what can be gained from an attentiveness to the world that knows it needs to balance a desire for the perfect photographic form with the resulting pictures containing more than just that.--Joerg Colberg "cphmag.com "
Goldblatt tells of working in his father's men's outfitters shop in the 1950s as integral in developing awareness of the human form, clothing and ornament. Closely framed, the parallel lines of laddered tights and geometric print of a skirt's surface disappear beneath crossed hands holding cheap handbag. A sprinkle of chest hair mingled with chains and framed by a check shirt, or bare feet with toes bearing corns and sweat seeping though a sleeping man's jacket - all are deliciously observed.--Cheryl Newman "Dirty Books "
Goldblatt is considered an eminent documentarian of apartheid-era South Africa, but he is emphatic that he did not set out to photograph apartheid directly. He said that this project--which is the subject of his most recent monograph, "Particulars"--was born out of his desire to be more lyrical in his photography. "I was always struck by the need to make photographs that were somehow relevant to our society, to our situation in dealing with apartheid and the opposition to it," he told me. "But I wanted somehow to be free just to photograph the things that I found beautiful."--Genevieve Fussell "The New Yorker "