Jeff VanderMeer is an award-winning novelist and editor. His fiction has been translated into twenty languages and has appeared in the Library of America’s American Fantastic Tales and in multiple year’s-best anthologies. He writes non-fiction for the Washington Post, the New York Times Book Review, the Los Angeles Times, and the Guardian, among others. He grew up in the Fiji Islands and now lives in Tallahassee, Florida, with his wife.
Praise for Dead Astronauts: ‘A genuinely innovative artwork requires time to fulfil its effect. Jeff VanderMeer’s Dead Astronauts is one such work – bewildering, perplexing, original – and I would recommend that readers allow it the concentration it demands … this kind of formal innovation is pure catnip, an indication that as a mode of literary expression the novel is still vigorous, still developing and still important’ Guardian ‘There's beauty as well as horror here; moments of weaponised whimsy, plus his usual clear-eyed ecological themes. This is wild science fiction, but it's also an angry book that's very much about the present day… you'll find some of the author's strongest writing and a genuinely original tale of environmental apocalypse’ SFX Magazine ‘An immersive, fantastical adventure, but also a compelling allegory for the role of individual resistance in the face of seemingly intractable planet-sized problems like climate change’ New York Times Praise for Borne: ‘Jeff VanderMeer’s Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel’ Colson Whitehead ‘Jeff VanderMeer’s deeply strange and brilliant new novel extends the meditation on the central question of non-human sentience in his earlier work … No one writes a post-apocalyptic landscape like VanderMeer, so detailed and strange in all its lineaments and topography’ Neel Mukherjee, Guardian ‘From being a very successful SF writer, VanderMeer will become mainstream – and Borne is full of signs that he is already thinking ahead of that easy transition, and perhaps subverting it’ Toby Litt, New Statesman
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