Throughout his life, Robert Louis Balfour Stevenson was tormented by poor health. Yet despite frequent physical collapses-mainly due to constant respiratory illness-he was an indefatigable writer of novels, poems, essays, letters, travel books, and children's books. He was born on November 13, 1850, in Edinburgh, of a prosperous family of lighthouse engineers. Though he was expected to enter the family profession, he studied instead for the Scottish bar. By the time he was called to the bar, however, he had already begun writing seriously, and he never actually practiced law. In 1880, against his family's wishes, he married an American divorcee, Fanny Vandegrift Osbourne, who was ten years his senior; but the family was soon reconciled to the match, and the marriage proved a happy one.
All his life Stevenson traveled-often in a desperate quest for health. He and Fanny, having married in California and spent their honeymoon by an abandoned silver mine, traveled back to Scotland, then to Switzerland, to the South of France, to the American Adirondacks, and finally to the south of France, to the South Seas. As a novelist he was intrigued with the genius of place: Treasure Island (1883) began as a map to amuse a boy. Indeed, all his works reveal a profound sense of landscape and atmosphere: Kidnapped (1886); The Strange Case of Dr. Jekyll and Mr. Hyde (1886); The Master of Ballantrae (1889). In 1889 Stevenson's deteriorating health exiled him to the tropics, and he settled in Samoa, where he was given patriarchal status by the natives. His health improved, yet he remained homesick for Scotland, and it was to the "cold old huddle of grey hills" of the Lowlands that he returned in his last, unfinished masterpiece, Weir of Hermiston (1896). Stevenson dies suddenly on December 3, 1894, not of the long-feared tuberculosis, but of a cerebral hemorrhage. The kindly author of Jekyll and Hyde went down to the cellar to fetch a bottle of his favorite burgundy, uncorked it in the kitchen, abruptly cried out to his wife, "What's the matter with me, what is this strangeness, has my face changed?"-and fell to the floor. The brilliant storyteller and master of transformations had been struck down at forty-four, at the height of his creative powers.
Gr 9 Up-Robert Louis Stevenson's classic tale of a man who discovered how to give his evil side the freedom of independence from his conscience is read with asperity by Ralph Cosham. The rising tide of fear that Stevenson evokes in his characters-from the storytelling gentlemen through whom the tale is narrated to Dr. Jekyll himself as he realizes Mr. Hyde's overwhelming power-is fortified by Cosham's straightforward delivery. There is no need for voicing or special sound effects since the pace of the reading keeps listeners as engaged as does the author's carefully scripted scenes and dialogues. For all collections, both library and classroom.-Francisca Goldsmith, Berkeley Public Library, CA Copyright 2002 Cahners Business Information.
Stevenson's pioneering psychological thriller was released in 1886, but unlike 1883's Treasure Island and Kidnapped, also 1886, where the story is propelled through action, this tale is dominated by talk. The dreaded Edward Hyde remains an elusive character, appearing quite sparingly. Very little actually transpires, and the eventual solution to the mystery and the revelation of Hyde's true identity unfurl through Jekyll's first-person narrative related after his death. Despite its brief length, the familiar story moves slowly. Stevenson's prose, however, is crisp, lush, and a delight on audio. VERDICT Oscar-nominee Ian Holm acts the story rather than reads it, providing a virtuoso performance that's a treat for listeners. The novel's brevity makes it prime travel fodder or for playing aloud in a classroom to students. Nice price, too.-Mike Rogers, Library Journal (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.