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Dreaming of the Bones
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Shortlisted for the Edgar Allan Poe Award 1998 and the Agatha Award 1998.

About the Author

Deborah Crombie was born and educated in Texas. After living in both England and Scotland, she wrote her first Duncan Kincaid / Gemma James novel. She has since been nominated for the Agatha, Macavity and Edgar Awards and is published across the world. Deborah lives with her family in a small North Texas town and frequently visits the UK. Dreaming of Bones is her fifth novel.

Reviews

Crombie's English procedural series featuring Scotland Yard's Duncan Kincaid and Gemma James (Mourn Not Your Dead, 1996, etc.) takes a giant leap forward with this haunting mystery set among Cambridge literary types. Vic McClellan, Duncan's ex-wife and a member of the English faculty at Cambridge, is writing a biography of Lydia Brooke, a Cambridge poet whose death five years earlier was attributed to suicide. Convinced that Lydia didn't kill herself, Vic asks Duncan to look into the poet's death. Estranged from Vic since she left him 12 years ago, Duncan is at first unwilling to help. But Vic's literary evidence and a brief look at the local police records soon convince him and Gemma, who's his lover as well as his partner, that there's something fishy about Lydia's demise. Having reconciled with Vic and been charmed by her son, Kit, Duncan is devastated when she is murdered. Assisted by Gemma, he sets out on a personal crusade to find the killer. Their investigation leads to Lydia's circle of Cambridge friends in the 1960s: Nathan, now on the botany faculty; Darcy, a colleague of Vic's on the English faculty; Daphne, headmistress of a girls' school; and Adam, an Anglican priest. It's Gemma, through close reading of a long-lost poem by Lydia, who uncovers the crucial secret. As Crombie continues to explore Duncan and Gemma's complicated relationship, she adds a deeper resonance in the form of Duncan's feelings for Vic and Kit. This is the best book in an already accomplished series. Crombie excels at investing her mysteries with rich characterization and a sophisticated wash of illuminating feminism. (Oct.)

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