Introduction PART ONE European Cinema: Economics and Politics European Cinema: Ideology, Aesthetics and Style References and Suggestions for Further Reading PART TWO: CASE STUDIES Bronenosets Potemkin/Potyomkin (The Battleship Potemkin); B.Beumers The Lodger; S.Street La Règle du jeu; J.Forbes Ossessione; D.Duncan Viridiana; A.McDermott Alice in den Städten (Alice in the Cities); S.Taberner Carmen; A.McDermott Good Morning Babilonia; D.Duncan Das Versprechen (The Promise); S.Taberner La Haine; J.Forbes Trainspotting; S.Street Sibirskii tsiriul'nik (The Barber of Siberia); B.Beumers Notes on Contributors Index.
'The publication of European Cinema: An Introduction comes as a shower of rain in the desert...The editors Jill Forbes and Sarah Street and their contributors have written a text that helps to fill a yawning gap and offers an accessible, well-written and stimulating account for a wide range of readers.' - Steve Brewer, European Journal of Communication
JILL FORBES is Professor of French at Queen Mary and Westfield College, University of London. She is an international authority on French cinema and author of many publications in the field including The Cinema in France: After the New Wave (Macmillan, 1992), French Cultural Studies (Oxford University Press, 1995, with Michael Kelly) and Les Enfants du Paradis (BFI, 1997). - SARAH STREET is Senior Lecturer in Film and Television Studies at the University of Bristol. A distinguished authority on British cinema, her publications include Cinema and State (co-authored with Margaret Dickinson, 1985) and British National Cinema (Routledge, 1997).
'The publication of European Cinema: An Introduction comes as a shower of rain in the desert...The editors Jill Forbes and Sarah Street and their contributors have written a text that helps to fill a yawning gap and offers an accessible, well-written and stimulating account for a wide range of readers.' - Steve Brewer, European Journal of Communication
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