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Experimental Archaeology


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Table of Contents

1 - Introduction. Defining Experimental Archaeology: Making, Understanding, Storytelling? - Aidan O'Sullivan and Christina Souyoudzoglou-Haywood
2 - Experimental archaeological reconstructions and the investigation of houses from the past - Aidan O'Sullivan and Brendan O'Neill
3 - Crafting prehistoric bronze tools and weapons: Experimental and experiential perspectives - Barry Molloy
4 - "Cutting edge technology": new evidence from experimental simulation and use of Late Bronze Age woodworking cutting tools. The saw as 'case study' - Eleni Maragoudaki
5 - Experimenting on Mycenaean gold-working techniques: the case of the granulated cone - Eleni Konstantinidi-Sybridi, NikolasPapadimitriou, Akis Goumas, Anna Philippa-Touchais and Romain Prevalet
6 - Thinking through our hands: making and understanding Minoan female anthropomorphic figurines from the peak sanctuary of Prinias, Crete. - Christine Morris, Brendan O'Neill and Alan Peatfield
7 - Reconstructing a Bronze Age Kiln from PriniatikosPyrgos, Crete - Jo Day and Maggie Kobik
8 - Where have all the moulds gone? A detailed investigation of early medieval bi-valve clay moulds - Brendan O'Neill
9 - Recreating Neolithic textiles: an exercise on woven patterns - Kalliope Sarri and Ulrikka Mokdad
10 - Experimental archaeology in the study of painting techniques and materials - Antonis Vlavogilakis

About the Author

Christina Souyoudzoglou-Haywood is Director of the Irish Institute of Hellenic Studies at Athens (IIHSA) and Adjunct Lecturer at the School of Classics, University College Dublin. For many years Curator of the Classical Museum, UCD, she has published on its history and contents as well as on Greek and Cypriot antiquities in other Irish museum and university collections. Aidan O'Sullivan is a Professor of Archaeology at University College Dublin, Ireland. He is Director of the UCD Centre for Experimental Archaeology and Material Culture and established the School of Archaeology's MSc in Experimental Archaeology and Material Culture in 2016.

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