Javier Mar as was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of interna-tional literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practiced translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne. He has held academic posts in Spain, the United States and in Britain, as Lecturer in Spanish Literature at Oxford University.
"By far Spain's best writer today." --Roberto Bola o
"Brilliant. . . . An entertaining and intelligent novel."
--The Washington Post "The most subtle and gifted writer in
contemporary Spanish literature." --Boston Sunday Globe "Mar
as is simply astonishing." --The Times Literary Supplement
"Mar as is one of the best contemporary writers." --J. M.
"A great writer." --Salman Rushdie "One of the writers who should get the Nobel Prize is Javier Mar as." --Orhan Pamuk
"Stylish, cerebral...Mar as is a startling talent...His prose is ambitious, ironic, philosophical, and ultimately compassionate." --The New York Times
"His prose demonstrates an unusual blend of sophistication and accessibility." --The New Yorker
"Javier Mar as is such an elegant, witty and persuasive writer that it is tempting simply to quote him at length." --The Scotsman
"Mar as uses language like an anatomist uses the scalpel to cut away the layers of the flesh in order to lay bare the innermost secrets of that strangest of species, the human being." --W. G. Sebald "His prose possesses an exquisite, almost uncanny observation, recreating moments and moods in hypnotic depth." --The Telegraph
"Javier Mar as is a novelist with style . . . His readers enter, through him, a strikingly and disturbingly foreign world." --Margaret Drabble "A supreme stylist." --The Times "Mar as writes the kind of old-fashioned speculative prose we associate with Proust and Henry James. . . . But he also deals in violence, historical and personal, and in the movie titles, politicians, and brand-names and underwear we connect with quite a different kind of writer." --The London Review of Books