Philip Ball is widely recognised as a leading communicator of the
relationships between science and the wider culture. For example,
his book The Music Instinct (2010), a survey of the cognitive
understanding of music, became a bestseller and was longlisted for
the Samuel Johnson Prize for nonfiction. Philip's most recent book,
The Water Kingdom (2016), was selected as a Book of the Year by the
Times and the Economist. He received the Editorial Intelligence
Comment Award for Best Science Commentator in 2015 and again in
2017.
Philip writes regularly on all areas of science in both popular and
technical outlets. For many years he was an editor for Nature, to
which he still contributes regularly. He has featured on many
national and international radio and television programmes, and he
is a presenter of the science history series Science Stories on BBC
Radio 4.
Praise for How to Grow a Human
‘This is a deeply engaging crash course. Ball’s description of
cellular organelles and their functions, in particular, is an
impressive feat. And his sense of wonder at biological processes is
palpable: passages on the intricacies of cell plasticity had me
(with my doctorate in molecular biology) exclaiming, “That is
incredible!”’
Nature ‘Philip Ball weaves a compelling story of bodily creation …
Highly readable and impeccably informed by research, How to Grow a
Human revels in scientific possibility and confronts the social and
ethical implications, while intelligently acknowledging what is as
yet unknown’ The Lancet ‘[This] winding romp through advances in
cell biology pushes readers to ponder the boundaries of life … The
book offers a provocative, meandering take on the progression of
groundbreaking biotechnological capabilities … absorbing ambitious
and expansive … Ball’s look at the state of human-facing cutting
edge bioscience is a thought-provoking read’ Science Praise for
Philip Ball
'Ball's book towers above the competition with its erudition,
balance, and attention to detail… This is the most accessible,
comprehensive, and provocative investigation of the science of
music – and its limits – yet to be written.'
Globe and Mail 'Excellent, smartly written'
Financial Times ‘Ball is an exceptionally talented writer who
manages to combine accessibility and thoroughness in razor-sharp
prose’ Physics World 'Lucid and impressive'
Prospect
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