About the Author

Ali Smith was born in Inverness in 1962. She is the author of Free Love and Other Stories, Like, Other Stories and Other Stories, Hotel World, The Whole Story and Other Stories, The Accidental, Girl Meets Boy, The First Person and Other Stories, There but for the, Artful, How to be both, and Public library and other stories. Hotel World was shortlisted for the Booker Prize and the Orange Prize and The Accidental was shortlisted for the Man Booker and the Orange Prize. How to be both won the Baileys Prize, the Goldsmiths Prize and the Costa Novel Award and was shortlisted for the Man Booker and the Folio Prize. Ali Smith lives in Cambridge and her next novel is forthcoming in 2016.

Reviews

Dizzyingly good and so clever that it makes you want to dance
*New Statesman*

A delight. A masterpiece. Magical.
*Sunday Times*

I take my hat off to Ali Smith. Her writing lifts the soul
*Evening Standard*

Exciting, full of joy and wryly funny... [Ali Smith is] one of the most inventive writers alive
*Emerald Street*

A remarkably easy and immensely enjoyable read... Ali Smith is a one-off. Her imagination and originality make her one of the most exciting novelists of her generation. Both George and Francesco touch the heart and linger in the mind long after the final page.
*Daily Express*

Smith is the brightest spark in a recent explosion of female novelists taking dizzying risks with form and voice . . . most contemporary male authors feel Jurassic by comparison.
*Metro*

Rich, funny and moving. Smith's writing really catches fire
*Financial Times*

Dazzling
*Independent*

This warm, funny book deserves to be read at least one-and-a-half times
*Spectator*

Radical, dazzling . . . Those writers making doomy predictions about the death of the novel should read Smith's re-imagined novel/s, and take note of the life it contains
*Independent*

Ms. Smith's writing is inventive and delighted. She cannot help being exuberant
*New York Times*

Inventive, playful, compassionate. An immensely enjoyable read
*Daily Express*

I was utterly transported by Ali Smith's How to Be Both, a novel built from two stories that speak across six centuries. I'm about to read it for the fourth time
*Irish Times*

Smith is dazzling in her daring. Her inventive power pulls you through, gasping, to the final page
*Observer*

Smith can make anything happen, which is why she is one of our most exciting writers today
*Daily Telegraph*

She's a genius, genuinely modern in the heroic, glorious sense
*Alain de Botton*

Smith's fervent, vital, incantatory prose is entirely her own . . . How to be both reads as if she has summoned words from some region of the unconscious and released them in a trance
*Prospect*

Utterly contemporary and vividly historical
*The Independent*

Smith has created a stunning work that is as rewarding as it is challenging
*The List*

One of the things she does so well, and that is particularly evident in 'How to Be Both,' is the way she can create an extremely sophisticated, complex, multileveled novel that reads beautifully
*Erica Wagner*

A marvellous exploration of what it means to look, then look again. Spiralling and twisting stories suggest the ways in which we can transcend walls and barriers - not only between people but between emotions, art forms and historical periods. It is a jeu d'esprit about a girl coming of age and coming to terms with her mother's death, a ghosting of a Renaissance fresco painter in a 21st-century frame and an exhortation to do the twist.
*New Statesman Books of the Year 2014*

A revelation. It blasts the doors open for the novel form and in a Woolf-like way makes all things possible. I imagine it will be one of those rare books that changes the way writers write novels
*Observer*

Ali Smith's novels soar higher every time and How to be both doesn't disappoint
*Observer*

Brilliant. No one combines experimentalism and soulfulness like Ali Smith
*Observer*

One of the most intelligent, inventive, downright impressive writers working anywhere in the world today. In Ali Smith we have a writer whose dazzling sophistication will surely be celebrated, studied and argues over hundreds of years after we're gone
*The Scotsman*

Ali Smith is a master of language. Vigorous, vivid writing that is Ali Smith incarnate
*Herald*

Ingeniously conceived, gloriously inventive
*NPR*

Dizzyingly ambitious . . . endlessly artful, creating work that feels infinite in its scope and intimate at the same time. [A] swirling panoramic
*Atlantic*

Brilliant . . . the sort of death-defying storytelling acrobatics that don't seem entirely possible
*Washington Post*

Having read this now twice, in both directions so to speak, I've decided - and I do not write this flippantly - that Ali Smith is a genius
*LA Review of Books*

Approaches the world as only a novel can. The book moves not so much in a straight line as in a twisting helix pattern . . . delivers the heat of life and the return of beauty in the face of loss
*Everyday Ebook*

A unique conversation between past and present
*Milwaukee Journal*

Wildly inventive . . . lyrical, fresh
*Bustle Magazine*