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Irish Literature, Vol. 9
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Excerpt from Irish Literature, Vol. 9: McCarthy, Editor in Chief, Charles Welsh, Managing On one occasion, when Mr. Lover was absent at his office, a soldier with a drummer-boy made his appearance at his door, and on being tendered the two shillings, refused to take them, and insisted on sleeping in the house instead, coupling the demand with a remark and look which were very offensive to Mrs. Lover. Ordered to wait outside the dwelling while she sent word to the 'Billet Office, ' he boldly entered the hall and tried to close the door, upon which Mrs. Lover in her fright rushed to the steps, followed by her child, where she was discovered by her husband, when he at length returned from business, trembling, pallid, and almost speechless. Enraged, of course, at such an insult, he sprang into the house, when the soldier attempted to draw his bayonet, but was speedily knocked down and afterwards closed with in a struggle, which lasted amidst the yells of Master Samuel and the drummer-boy until an officer arrived from the Billet Office to offer an apology and remove the culprit." It was the era in which "the Fine Old Irish Gentleman" flourished most luxuriantly; the era of drinking, duelling, and debts, celebrated in song and story. It has been painted a hundred times in fiction. Sheil describes it in veracious prose, and Sir Jonah Barrington in a happy blending of romance and truth which he calls "Personal Sketches of His Own Times." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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