PIERCE BROWN spent his childhood building forts and setting traps for his cousins in the woods of six states and the deserts of two. Graduating college in 2010, he fancied the idea of continuing his studies at Hogwarts School of Witchcraft and Wizardry. Unfortunately, he doesn't have a magical bone in his body. So while trying to make it as a writer, he worked as a manager of social media at a startup tech company, toiled as a peon on the Disney lot at ABC Studios, did his time as an NBC page, and gave sleep deprivation a new meaning during his stint as an aide on a U.S. Senate Campaign. Now he lives in Los Angeles, where he scribbles tales of spaceships, wizards, ghouls, and most things old or bizarre. He is the author of the New York Times bestselling Red Rising trilogy (Red Rising, Golden Son, Morning Star), and the next novel in the Red Rising universe, Iron Gold, is publishing January 2018.
Praise for the most recent title in the Red Rising Series, IRON
GOLD
*-*
Fascinating . . . This is one you absolutely will have to read
*The Biblio Sanctum*
Another sizzling space epic to entice, excite and tease. 5
STARS
*Starburst Magazine*
The books are an exhilarating fusion of The Hunger Games, Blade
Runner and Dune. Amid a pulse-pounding narrative, they fearlessly
tackle major issues like the fragility of democracy and the
fallibility of human nature to betray its ideals even when freedom
is attained
*Star Magazine*
This book lives up to every expectation I have for Pierce Brown . .
. you MUST read this, it will not disappoint!
*The Speculative Herald*
Iron Gold offers more of everything we loved about the first three
books. Pierce Brown builds upon the foundations of the incredible
universe and story he spun in the first trilogy, pivoting on his
characters' flaws and fallibility to steer the narrative in
unexpected directions. Suffice it to say, readers will be soon be
dying to read the next one
*Barnes & Noble*
Complex, layered . . . mature science fiction existing within the
frame of blazing space opera . . . done in a style [that] borders
on Shakespearean
*NPR*
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