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John Cage and Peter Yates
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Introduction; 1. John Cage to Peter Yates, undated [1940?]; 2. John Cage to Peter Yates, 1940; 3. John Cage to Peter Yates, 1941; 4. John Cage to Peter Yates, 1941; John Cage, 'Organized Sound' draft, 1941; Peter Yates, 'Organized Sound,' California Arts and Architecture (1941); 5. John Cage to Peter Yates, undated [1941]; 6. John Cage to Peter Yates, undated [ca. 1947]; 7. John Cage to Peter Yates, undated [ca. 1947]; 8. John Cage to Peter Yates, undated [ca. September 1948]; Peter Yates, 'Music,' Arts and Architecture (1948); 9. John Cage to Peter Yates, undated [ca. 1948; Peter Yates, 'Music,' Arts and Architecture (1948); Peter Yates, 'Music,' Arts and Architecture (1948); 10. John Cage to Peter Yates, undated [ca. 1948]; 11. John Cage to Peter Yates, undated [ca. 1948]; 12. John Cage to Peter Yates, undated [early 1949]; Peter Yates, 'Music,' Arts and Architecture (1949); 13. Peter Yates to John Cage, 1953; Peter Yates, 'Music,' Arts and Architecture (1953); 14. John Cage to Peter Yates, 1953; 15. Peter Yates to John Cage, 1953; Peter Yates, 'Pierre Boulez,' Arts and Architecture (1957); Peter Yates, 'A Collage of American Composers - Part 3,' Arts and Architecture (1959); Peter Yates, 'A Collage of American Composers - Part 4,' Arts and Architecture (1959); 16. Peter Yates to John Cage, 1959; 17. John Cage to Peter Yates, 1959; 18. Peter Yates to John Cage, 1959; 19. Peter Yates to John Cage, 1959; Peter Yates, 'Virgil Thomson and Horatio Parker,' Arts and Architecture (1959); 20. Peter Yates to John Cage, 1959; 21. Peter Yates to John Cage, 1959; 22. John Cage to Peter Yates, 1959; 23. Peter Yates to John Cage, 1960; 24. Peter Yates to John Cage, 1960; 25. John Cage to Peter Yates, undated [ca. 1960]; Peter Yates, 'Two Albums by John Cage - Part 1,' Arts and Architecture (1960); 26. Peter Yates to John Cage, 1960; 27. John Cage to Peter Yates, 1960; 28. Peter Yates to John Cage, 1960; Peter Yates, 'Two Albums by John Cage - Part 2,' Arts and Architecture (1960); 29. John Cage to Peter Yates, 1960; 30. Peter Yates to John Cage, 1960; 31. John Cage to Peter Yates, 1960; 32. Peter Yates to John Cage, 1960; 33. Peter Yates to John Cage, 1960; 34. John Cage to Peter Yates, 1960; 35. Peter Yates to John Cage, 1960; 36. John Cage to Peter Yates, 1960; 37. John Cage to Peter Yates, 1960; 38. Peter Yates to John Cage, 1960; 39. John Cage to Peter Yates, 1960; Peter Yates, 'Monday Mad on Tuesday,' Arts and Architecture (1960); Peter Yates, 'Music,' Arts and Architecture (1960); 40. John Cage to Peter Yates, 1961; 41. Peter Yates to John Cage, 1961; Peter Yates, 'American Experimental Tradition,' unpublished manuscript [ca. 1961]; 42. John Cage to Peter Yates, 1961; 43. John Cage to Peter Yates, 1961; 44. John Cage to Peter Yates, undated [1961]; 45. John Cage to Peter Yates, 1961; 46. John Cage to Peter Yates, 1961; 47. Peter Yates to John Cage, 1961; 48. John Cage to Peter Yates, 1961; 49. Peter Yates to John Cage, 1961; Peter Yates and John Whitney, 'Notes for Music,' unpublished manuscript [1961]; Peter Yates, 'Sound,' manuscript [1961]; 50. John Cage to Peter Yates, 1961; 51. Peter Yates to John Cage, 1961; 52. Peter Yates to John Cage, 1961; Peter Yates, 'A Lost Center,' manuscript [1961]; 53. John Cage to Peter Yates, 1961; 54. John Cage to Peter Yates, 1961; Peter Yates, 'A General Report,' Arts and Architecture (1962); 55. John Cage to Peter Yates, 1962; 56. John Cage to Peter Yates, 1962; Peter Yates, 'Silence by John Cage,' Arts and Architecture (1962); Peter Yates, review of John Cage, Silence, Notes: the Quarterly Journal of the Music Library Association (1962); Peter Yates, 'More Than Time,' Arts and Architecture (1962); Peter Yates, 'John Cage's Weekend in Los Angeles,' Arts and Architecture (1962); 57. John Cage to Frances and Peter Yates, 1962; Peter Yates, 'The American Artist,' manuscript written for the

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The last - and largest - of Cage's most important formative exchanges of letters, discussing music criticism and questions of aesthetics.

About the Author

Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. His musicological research largely focusses on post-war music in Germany and the United States of America and his books New Music at Darmstadt (Cambridge, 2013) and John Cage and David Tudor (Cambridge, 2013).

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