Foreword, by Andrew N. Rubin Preface List of Abbreviations Part One: Conrad's Letters I. The Claims of Individuality II. Character and the Knitting Machine, 1896-1912 III. The Claims of Fiction, 1896-1912 IV. Worlds at War, 1912-1918 V. The New Order, 1918-1924 Part Two: Conrad's Shorter Fiction VI. The Past and the Present VII. The Craft of the Present VIII. Truth, Idea, and Image IX. The Shadow Line Chronology, 1889-1924 Letter to R. B. Cunninghame Graham, February 8, 1899 Selected Bibliography Notes Index
"Critical monographs generally have a brief life. But once in a while a book appears that establishes itself as a lasting presence. Edward W. Said's Joseph Conrad and the Fiction of Autobiography is such a preeminent exception. When it was published in 1966, Said's work was recognized as a significant event in Conrad studies. Rejecting the 'purism' of the then-dominant New Criticism, Said opted for a richer, more holistic way of reading Conrad, relating his correspondence to his short fiction to investigate the way in which the novelist 'ordered the chaos of his existence into a highly patterned art.' Said's Conrad joined the handful of monographs still regularly cited by Conradian scholars. The book also represented a major step on the intellectual path of a writer whose reflections influenced the landscape of late twentieth-century thought. Joseph Conrad and the Fiction of Autobiography is a must for anyone seriously interested in Modernist writing, in Conrad& mdash;the first global novelist& mdash;and in Edward W. Said." -- Tony Tanner, The Spectator
"Critical monographs generally have a brief life. But once in a while a book appears that establishes itself as a lasting presence. Edward W. Said's Joseph Conrad and the Fiction of Autobiography is such a preeminent exception. When it was published in 1966, Said's work was recognized as a significant event in Conrad studies. Rejecting the 'purism' of the then-dominant New Criticism, Said opted for a richer, more holistic way of reading Conrad, relating his correspondence to his short fiction to investigate the way in which the novelist 'ordered the chaos of his existence into a highly patterned art.' Said's Conrad joined the handful of monographs still regularly cited by Conradian scholars. The book also represented a major step on the intellectual path of a writer whose reflections influenced the landscape of late twentieth-century thought. Joseph Conrad and the Fiction of Autobiography is a must for anyone seriously interested in Modernist writing, in Conrad& mdash;the first global novelist& mdash;and in Edward W. Said." -- Tony Tanner, The Spectator
Edward W. Said (1935-2003) was University Professor of English and Comparative Literature at Columbia University. He was the music critic for the Nation and is the author of numerous books, including Music at the Limits, Musical Elaborations, Beginnings: Intention and Method, and Humanism and Democratic Criticism.
"Said concentrates on what we may call Conrad's 'house of consciousness'- how that great mind perceived, what its internal complexities and contradictions were, how it turned the shapeless sufferings of the life into the containing constructs of art." -- The Spectator
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