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Life After Life
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Promotional Information

WINNER OF THE 2013 COSTA NOVEL AWARD- the acclaimed number one bestselling novel about a woman who lives her life over and over again through the most turbulent events of the 20th century, including the London Blitz.

Promotional Information

Winner of the Costa Novel Award and the South Bank Sky Arts Literature Prize, and shortlisted for the Women's Prize, Kate Atkinson's acclaimed new novel, about a woman who lives her life over and over again through the most turbulent events of the 20th century, including the London Blitz.

About the Author

Kate Atkinson is one of the world's foremost novelists. Her most recent novel, Shrines of Gaiety, set in the aftermath of the First World War, is a Sunday Times bestseller. She won the Whitbread Book of the Year prize with her first novel, Behind the Scenes at the Museum. Her three critically lauded and prize-winning novels set around the Second World War are Life After Life, an acclaimed 2022 BBC TV series, A God in Ruins (both winners of the Costa Novel Award) and Transcription. Her bestselling literary crime novels featuring former detective Jackson Brodie, Case Histories, One Good Turn, When Will There Be Good News? and Started Early, Took My Dog, became a BBC television series starring Jason Isaacs. Jackson Brodie later returned in the novel Big Sky. Kate Atkinson was awarded an MBE in 2011 and is a Fellow of the Royal Society of Literature.

Reviews

Kate Atkinson’s new novel is a box of delights. Ingenious in construction, indefatigably entertaining, it grips the reader’s imagination on the first page and never lets go. If you wish to be moved and astonished, read it. And if you want to give a dazzling present, buy it for your friends.
*Hilary Mantel*

There aren't enough breathless adjectives to describe Life After Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane. Simply put: it's ONE OF THE BEST NOVELS I'VE READ THIS CENTURY.
*Gillian Flynn, no1 New York Times bestselling author of Gone Girl and Sharp Objects*

Truly brilliant...Think of Audrey Niffenegger's The TimeTraveler's Wife or David Nicholl's One Day...[or] Martin Amis's Times Arrow...This is a rare book that you want, Ursula-like, to start again the minute you have finished.
*The Times*

Absolutely brilliant...it reminded me a bit of her first book Behind the Scenes at the Museum, which is one of my most favourite books ever.
*Marian Keyes (newsletter)*

What makes Atkinson an exceptional writer...is that she does so with an emotional delicacy and understanding that transcend experiment or playfulness. Life After Life gives us a heroine whose fictional underpinning is permanently exposed, whose artificial status is never in doubt; and yet one who feels painfully, horribly real to us.
*Guardian*

Merging family saga with a fluid sense of time and an extraordinarily vivid sense of history at its most human level. A dizzying and dazzling tour de force.
*Daily Mail*

Deliriously inventive, sharply imagined and ultimately affecting...Atkinson has written something that amounts to so much more than the sum of its (very many) parts. It almost seems to imply that there are new and mysterious things to feel and say about the nature of life and death, the passing of time, fate and possibility.. . [a]magnificently tender and humane novel.
*Observer*

Brilliant...more than just a terrific story about the impact of one existence on another. Atkinson can knock the socks off any rival in terms of skill and style...The tour de force of the book, though, is Atkinson's recreation of the Blitz...unputdownable
*Evening Standard*

Stunned with tiredness thanks to Kate Atkinson's LIFE AFTER LIFE. Couldn't stop reading. Terrific novel, may be her best yet. So enthralling, so well written, so beautifully constructed. Really, I can't fault it. Will be one of my books of the year.
*Val McDermid (Twitter)*

World events, reimagined characters and second chances told with warmth, wit and consummate skill.
*Woman & Home*

Startlingly brilliant...endlessly rich
*Reader's Digest*

Life After Life is to be applauded for its inventiveness, and for reminding us of lives vanished without trace or memory in the waste and monstrosity of war.
*Literary Review*

Atkinson, like Audrey Niffenegger before her with the similarly ambitious The Time Traveller's Wife, is a confident enough writer to bear her high concept along well above water level
*Scotsman*

Atkinson's great skill is in portraying the exquisite tapestry of [life] with warmth, humour and immense humanity.
*Yorkshire Post*

one of the most innovative, pacy plots of any recent novel
*Psychologies Magazine*

Kate Atkinson’s new novel is a box of delights. Ingenious in construction, indefatigably entertaining, it grips the reader’s imagination on the first page and never lets go. If you wish to be moved and astonished, read it. And if you want to give a dazzling present, buy it for your friends.
*Hilary Mantel*

There aren't enough breathless adjectives to describe Life After Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane.
Simply put: it's ONE OF THE BEST NOVELS I'VE READ THIS CENTURY.
*Gillian Flynn,no1 New York Times author of Gone Girl, and Sharp Objects*

Truly brilliant...Think of Audrey Niffenegger's The TimeTraveler's Wife or David Nicholl's One Day...[or] Martin Amis's Times Arrow, his rewinding of the Holocaust that was shortlisted for the Booker. Life After Life should have the popular success of the former and deserves to win prizes, too. It has that kind of thrill to it, of an already much-loved novelist taking a leap, and breaking through to the next level...This is a rare book that you want, Ursula-like, to start again the minute you have finished.
*The Times*

What makes Atkinson an exceptional writer – and this is her most ambitious and most gripping work to date – is that she does so with an emotional delicacy and understanding that transcend experiment or playfulness. Life After Life gives us a heroine whose fictional underpinning is permanently exposed, whose artificial status is never in doubt; and yet one who feels painfully, horribly real to us.
*Guardian*

Merging family saga with a fluid sense of time and an extraordinarily vivid sense of history at its most human level. A dizzying and dazzling tour de force.
*Daily Mail*

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