Peter Everwine is the author of seven previous poetry collections, including From the Meadow and Collecting the Animals, which won the Lamont Poetry Prize in 1972. Everwine is the recipient of numerous honors, including two Pushcart Prizes, an American Academy of Arts and Letters Award in Literature, and fellowships from the NEA and the Guggenheim Foundation. He is emeritus professor of English at California State University, Fresno, USA, and was a senior Fulbright lecturer in American poetry at the University of Haifa, Israel.
Past praise for Peter Everwine "[Everwine's] poems . . . possess
the simplicity and clarity I find in the great Spanish poems of
Antonio Machado and his contemporary Juan Ramon Jimenez but in
contemporary English and in the rhythms of our speech, that rhythm
glorified."-- "Ploughshares"
The poems in Peter Everwine's Listening Long and Late are woven out
of memory and mystery, with surprising translations from the
Nahuatl and Hebrew. Everwine is a faithful listener, always keeping
'one ear cocked for the unsayable.' These elegiac poems murmur and
sing and celebrate the most humble creatures among us.-- "Anne
Marie Macari"
Unnervingly articulate on every page. Everwine is an everyman voice
filtered through a good scholar's wisdom. His ear is firmly to the
ground but his brain knows what Zarathustra mused. . . Sublime work
by a learned and generous heart.-- "Todayis Book of Poetry"
What a rich array of music lies within Listening Long and Late.
With refreshing authenticity, Everwine weds playfulness to
practice, lyricism to narrative, pathos to the ordinary. Indeed, he
has listened 'long and late' to the music of such venerable masters
as Tu Fu, the hidden genius on the street, and the anonymous Aztec
poets of the fourteenth and fifteenth centuries. Everwine writes
with the same 'deified heart' that divines the mystery of his
quotidian subjects in a language that is at once plain and poetic.
His own work seamlessly segues into his translations from the
Hebrew and Nahuatl, as if all the poems belonged to the same poet,
which they in fact do, as the glorious multitudes of Peter
Everwine, one of the masters of our age.-- "Chard deNiord"
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