Imtiaz Dharker grew up a Muslim Calvinist in a Lahori household in Glasgow, was adopted by India and married into Wales. She is an accomplished artist and documentary film-maker, and has published six books with Bloodaxe, Postcards from god (including Purdah) (1997), I Speak for the Devil (2001), The terrorist at my table (2006), Leaving Fingerprints (2009), Over the Moon (2014) and Luck Is the Hook (2018). All her poetry collections are illustrated with her drawings, which form an integral part of the books; she is one of very few poet-artists to work in this way. She was awarded the Queen's Gold Medal for Poetry for 2014, presented to her by The Queen in spring 2015, and has also received a Cholmondeley Award from the Society of Authors and is a Fellow of the Royal Society of Literature. Over the Moon was shortlisted for the Ted Hughes Award for New Work in Poetry 2014. Her poems are on the British GCSE and A Level English syllabus, and she reads with other poets at Poetry Live! events all over the country to more than 25,000 students a year. She has had a dozen solo exhibitions of drawings in India, London, Leeds, New York and Hong Kong. She scripts and directs films, many of them for non-government organisations in India, working in the area of shelter, education and health for women and children. In 2015 she appeared on the iconic BBC Radio 4 programme Desert Island Discs.
'This is a passionate, uplifting collection of poems about language, love and loss, grief and joy, elegy and celebration. The loss of a great love makes poems of piercing beauty. In her finest book to date, Imtiaz Dharker finds resolution in language itself, and in a world the more loved for the sharpness of loss.' - Gillian Clarke [on Over the Moon]; 'Imtiaz Dharker's new collection is the crown to a celebratory, humane, wholly utterable, subtly crafted poetry. Its dark jewels are the magnificent poems of bereavement, which will surely endure. Reading her, one feels that were there to be a World Laureate, Imtiaz Dharker would be the only candidate.' - Carol Ann Duffy [on Over the Moon]; 'Here is no glib internationalism or modish multiculturalism... Displacement here no longer spells exile; it means an exhilarating sense of life at the interstices. There is an exultant celebration of a self that strips off layers of superfluous identity with grace and abandon, only to discover that it has not diminished, but grown larger, generous, more inclusive' - Arundhathi Subramaniam, Poetry International.
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