Brian Moore (1921–1999) was born into a large, devoutly Catholic
family in Belfast, Northern Ireland. His father was a surgeon and
lecturer, and his mother had been a nurse. Moore left Ireland
during World War II and in 1948 moved to Canada, where he worked
for the Montreal Gazette, married his first wife, and began to
write potboilers under various pen names, as he would continue to
do throughout the 1950s. The Lonely Passion of Judith Hearne (1955,
now available as an NYRB Classic), said to have been rejected by a
dozen publishers, was the first book Moore published under his own
name, and it was followed by nineteen subsequent novels written in
a broad range of modes and styles, from the realistic to the
historical to the quasi-fantastical, including The Luck of Ginger
Coffey, An Answer from Limbo, The Emperor of Ice-Cream, I Am Mary
Dunne, Catholics, Black Robe, and The Statement. Three novels—Lies
of Silence, Color of Blood, and The Magician’s Wife—were
short-listed for the Booker Prize, and The Great Victorian
Collection won the James Tait Black Memorial Prize. After adapting
The Luck of Ginger Coffey for film in 1964, Moore moved to
California to work on the script for Alfred Hitchcock’s Torn
Curtain. He remained in Malibu for the rest of his life, remarrying
there and teaching at UCLA for some fifteen years. Shortly before
his death, Moore wrote, “There are those stateless wanderers who,
finding the larger world into which they have stumbled vast, varied
and exciting, become confused in their loyalties and lose their
sense of home. I am one of those wanderers.”
Christopher Ricks teaches at Boston University and is a former
president of the Association of Literary Scholars, Critics, and
Writers. From 2004 to 2009 he was Professor of Poetry at the
University of Oxford. His most recent book is True Friendship:
Geoffrey Hill, Anthony Hecht, and Robert Lowell Under the Sign of
Eliot and Pound.
“The Mangan Inheritance is a gift. A fine novelistic legacy. So
much so that most readers will resent the last page and greedily
(but oh so justifiably) demand more Moore.”
—Robert Gish, The Chicago Tribune
“What amazes about Brian Moore is the consistency of excellent that
runs like a rich vein of gold through all his novels. The Mangan
Inheritance is both scary and erotic, a primitive and visceral tour
de force about the imperfections of blood and birthright.—John
Gregory Dunne
“A search for roots in an Ireland without malarkey which evnds with
a Grand Guignol revelation. A master work by a consummate
storyteller at the top of his form.”—Josh Greenfield
“The Mangan Inheritance is a wonderful fictional antidote to the
present craving for roots, and at the same time a sardonic and
witty and winning novel in the powerful Moore tradition.”—Richard
Ellmann
“Another strange and wonderful fantasy from Brian Moore....
Life, as all ironists know, is not just what one might have
expected. Dreams and mystery as well as irony are prominent
qualities of Brian Moore’s fiction.”—Margaret Manning, The Boston
Globe
“Brian Moore’s reputation as a supremely entertaining ‘serious’
writer is secure.”—Joyce Carol Oates
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