About the Author

The Roman poet PUBLIUS OVIDIUS NASO, known to the English-speaking world as Ovid, was born in 43 BC and died in 17 AD. His major works, Ars amatoria and Metamophorses, were famed both for their technical mastery and their innovative interpretations of classical myth. His verses were immensely influential on European art and literature, and remain important source texts of Greek and Roman mythology.

ABOUT THE TRANSLATOR: Allen Mandelbaum was born in 1926 and died in 2011. His translations of Homer, Dante, Virgil, Quasimodo, and Ungaretti were all published to great acclaim. His rendering of The Aeneid won the National Book Award. He was the William R. Kenan, Jr. Professor of Humanities at Wake Forest University, North Carolina.

ABOUT THE INTRODUCER:  J. C. McKeown has served as a Research Fellow and Senior Tutor at the University of Cambridge and is now Professor of Classics at the University of Wisconsin, Madison. His publications include a commentary on Ovid's Amores and A Cabinet of Roman Curiosities. He is currently working on The Oxford Anthology of Literature in the Roman World, which will be published in summer 2013.

Reviews

“Reading Mandelbaum’s extraordinary translation, one imagines Ovid in his darkest moods with the heart of Baudelaire . . . Mandelbaum’s translation is brilliant. It throws off the stiff and mild homogeneity of former translations and exposes the vivid colors of mockery, laughter, and poison woven so beautifully by the master.” —Booklist
 
“Mandelbaum’s Ovid, like his Dante, is unlikely to be equalled for years to come.” —Bloomsbury Review
 
“The Metamorphoses is conceived on the grandest possible scale . . . The number and variety of the metamorphoses are stunning: gods and goddesses, heroes and nymphs, mortal men and women are changed into wolves and bears, frogs and pigs, bulls and cows, deer and birds, trees and flowers, rocks and rivers, spiders and snakes, mountains and stars, while ships become sea nymphs, ants and stones and statues become people, men become women and vice versa . . . An elegantly entertaining and enthralling narrative.”
—from the Introduction by  J. C. McKeown