Ainslie Hogarth has an MFA in Creative Writing from the University of Auckland and has published two YA horror novels, in the U.S. with Flux Books and France in with Editions Milan. The Lonely is about a girl who is crushed by a rock and bleeds to death all day long, and The Boy Meets Girl Massacre (Annotated) is about a girl who may or may not have murdered all of her friends with a pick-axe. Her short fiction has been published in Hazlitt, Black Static, and elsewhere.
Gripping... A gutsy, gory mashup of domestic horror and dark
humour
*Observer*
A gruesome, blackly funny, utterly original feminist horror
story
*New York Times, Notable Book of 2022*
A dark, moving, hugely entertaining slab of gothic horror....and
also very funny
*Metro*
A disgusting and delightful romp of a book
*Big Issue*
Filled with sharp, crackling sentences, which bend variously
sinister, humorous and sad, Ainslie Hogarth's new novel is a
stunner. Like Mona Awad's Bunny or Ottessa Moshfegh's Eileen,
Motherthing is a fabulous, frightening story built from fine, fine
prose
*Laird Hunt, author of the National Book Award finalist,
Zorrie*
This novel is bursting with smart, provocative, heart-breaking
things to say about the nature of grief and its ability to take up
just as much - if not more - physical space than the actual person
lost. Motherthing is gory and irreverent and totally
irresistible
*Courtney Maum, author of Touch*
A masterfully crafted horror novel that's by turns humorous and
deeply unsettling... Packs a punch
*Publishers Weekly STARRED REVIEW*
Profane, insane, hilarious, disgusting - and unexpectedly
moving
*Kirkus STARRED REVIEW*
A smart, taut, hallucinatory book about mothers, daughters, and
relationships of care. And buckets of blood.
*Ally Wilkes, author of All the White Spaces*
One of my favourite books of the year so far... Sorrow and Bliss
but make it haunted
*Red, Blackwells Manchester*
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