Dan Jolley began writing professionally at the age of 19. Since starting out in comic books, he has worked for DC (Firestorm), Marvel (Dr. Strange), Dark Horse (Aliens), and Image (G.I. Joe). He later branched out into licensed-property novels (Star Trek), film novelizations (Iron Man), and original novels, including the urban fantasy series Five Elements and the Audible Original House of Teeth. Working with Erin Hunter, he has scripted the manga stories set in the Warriors universe. Dan lives with his wife Tracy and a handful of largely inert felines in northwest Georgia. Readers can learn more about him at www.danjolley.com. Thomas Yeates grew up in Sacramento, northern California. He attended college in Utah, Sacramento, the Joe Kubert School in New Jersey. Since then he has been working as an illustrator, focusing on high adventure in the comic book/graphic novel field. He has worked for most of the major companies in that field, DC Comics, Marvel Comics, Dark Horse Comics, Eclipse, etc. He has illustrated Swamp Thing, Timespirits, Tarzan, Conan, Zorro, myths and legends for Lerner Publishing, and many short stories. Most recently he has illustrated Edgar Rice Burroughs' John Carter of Mars for Barnes & Noble Publishing and is currently illustrating a series of books by the popular writer Anthony Horowitz.
Gr 4-7-These volumes were written and illustrated with reference to particular translations and with the consultation of various university professors. The texts read like updates of the venerable "Classic Comics" series, attempting to render these tales in an accessible form that still maintains the tone of the source material. Jolley covers the events that befell Odysseus between the end of the siege of Troy and his departure from Calypso's island. Introduced as a wise strategist, he doesn't come across well here, as the narration focuses on choices he makes that result in many of his shipmates getting devoured. And while the book opens with some elegant depictions of the gods' wrath witnessed as the power of nature, the actual anthropomorphization of the gods later on makes them seem lacking somewhat in potency. Similarly, some modern turns of phrase in the narration seem at odds with efforts to maintain a visually historical depiction. Beowulf reads like ancient poetry, the dialogue rife with stately declarations of heritage, complete with ceremonial repetition, an effective mimic of the tradition. The fetishizing of ancestry and weapons might elude the intended audience, and unfortunately hints to more sophisticated readers that some original content was left out. The action and character design are strong and clear, with solid, comfortable storytelling that is strongly helped by the capable color work.-Benjamin Russell, Belmont High School, NH Copyright 2007 Reed Business Information.