Margaret Atwood is the author of more than fifty books of
fiction, poetry and critical essays. Her novels include Cat’s Eye,
The Robber Bride, Alias Grace, The Blind Assassin, and the
MaddAddam trilogy. Her 1985 classic, The Handmaid’s Tale, was
followed in 2019 by a sequel, The Testaments, which was a global
number one bestseller and won the Booker Prize. In 2020 she
published Dearly, her first collection of poetry for a decade.
Atwood has won numerous awards including the Arthur C. Clarke Award
for Imagination in Service to Society, the Franz Kafka Prize, the
Peace Prize of the German Book Trade, the PEN USA Lifetime
Achievement Award and the Dayton Literary Peace Prize. In 2019 she
was made a member of the Order of the Companions of Honour for
services to literature. She has also worked as a cartoonist,
illustrator, librettist, playwright and puppeteer. She lives in
Toronto, Canada.
“Towering and intrepid. . . . Atwood does Orwell one better.” —The
New Yorker
“Atwood has long since established herself as one of the best
writers in English today, but Oryx and Crake may well be her best
work yet. . . . Brilliant, provocative, sumptuous and downright
terrifying.” —The Baltimore Sun
“Her shuddering post-apocalyptic vision of the world . . . summons
up echoes of George Orwell, Anthony Burgess and Aldous Huxley. . .
. Oryx and Crake [is] in the forefront of visionary fiction.” —The
Seattle Times
“A book too marvelous to miss.” —The San Diego Union-Tribune
“Majestic. . . . Keeps us on the edges of our seats.” —The
Washington Post
“A compelling futuristic vision. . . . Oryx and Crake carries
itself with a refreshing lightness. . . . Its shrewd pacing neatly
balances action and exposition. . . . What gives the book a deeper
resonance is its humanity.” –Newsday
“[A] stunning new novel–possibly her best since The Handmaid’s
Tale.” –Time Out New York
“A delightful amalgam for the sophisticated reader: her perfectly
placed prose, poetic language and tongue-in-cheek tone are
ubiquitous throughout, as if an enchanted nanny is telling one a
dark bedtime story of alienation and ruin while lovingly stroking
one’s head.” –Ms.
“Truly remarkable. . . . As fun as it is dark. . . . A feast of
realism, science fiction, satire, elegy and then some. . . . Atwood
has concocted here an all-too-possible vision. . . . [She is] a
master.” –The News & Observer (Raleigh, North Carolina)
“A roll of dry, black, parodic laughter. . . . One of the year’s
most surprising novels.” –The Economist
“Sublime. . . . Good, solid, Swiftian science fiction from a . . .
literary artist par excellence.” –The Denver Post
“Dances with energy and sophisticated gallows humor. . . .
[Atwood’s] wry wit makes dystopia fun.” –People
“A crackling read. . . . Atwood is one of the most impressively
ambitious writers of our time.” –The Guardian
“Gorgeously written, full of eyeball-smacking images and riveting
social and scientific commentary. . . . A cunning and engrossing
book by one of the great masters of the form.” –The Buffalo
News
“A powerful vision. . . . Very readable.” –The New York Times Book
Review
“Brilliant, impossible to put down. . . . Atwood . . . is at once
commanding and enchanting. Piercingly intelligent and piquantly
witty, highly imaginative and unfailingly compassionate, she is a
spoonful-of-sugar storyteller, concealing the strong and necessary
medicine of her stinging social commentary within the balm of
dazzlingly complicated and compelling characters and intricate and
involving predicaments.” –The Atlanta Journal-Constitution
“Original and chilling. . . . Powerful, inventive, playful and
difficult to resist.” –Pittsburgh Post-Gazette
“Brilliantly constructed. . . . Jimmy and Crake grip like
characters out of Greek tragedy. . . . Atwood herself is one of our
finest linguistic engineers. Her carefully calibrated sentences are
formulated to hook and paralyse the reader.” –The Daily
Telegraph
“Atwood does not disappoint.” –The Dallas Morning News
“Gripping. . . . Bursts with invention and mordant wit, none of
which slows down its headlong pace. . . . Atwood is in sleek form.
. . . [Her] prescience is unsettling.” –St. Petersburg Times
“Biting, black humor and absorbing storytelling. . . . Atwood
entices.” –USA Today
“Compelling. . . . Packed with fascinating ideas. . . . Her most
accessible book in years, a gripping, unadorned story.” –The
Onion
“This superlatively gripping and remarkably imagined book joins The
Handmaid’s Tale in the distinguished company of novels (The Time
Machine, Brave New World and 1984) that look ahead to warn us about
the results of human shortsightedness.” –The Times (London)
“Absorbing. . . . Atwood ahs not lost her touch for following the
darker paths of speculative fiction–she easily creates a
believable, contained future world.” –Seattle Weekly
“Engrossing. . . . A novel of ideas, narrated with an almost
scientific dispassion and a caustic, distanced humor. The prose is
fast and clean.” –Rocky Mountain News
“Riveting and thought-provoking. . . . Keen and cutting. . . .
[Atwood] has grown into one of the most consistently imaginative
and masterful fiction writers writing in English today.” –Richmond
Times-Dispatch
Atwood has visited the future before, in her dystopian novel, The Handmaid's Tale. In her latest, the future is even bleaker. The triple whammy of runaway social inequality, genetic technology and catastrophic climate change, has finally culminated in some apocalyptic event. As Jimmy, apparently the last human being on earth, makes his way back to the RejoovenEsencecompound for supplies, the reader is transported backwards toward that cataclysmic event, its full dimensions gradually revealed. Jimmy grew up in a world split between corporate compounds (gated communities metastasized into city-states) and pleeblands (unsafe, populous and polluted urban centers). His best friend was "Crake," the name originally his handle in an interactive Net game, Extinctathon. Even Jimmy's mother-who ran off and joined an ecology guerrilla group when Jimmy was an adolescent-respected Crake, already a budding genius. The two friends first encountered Oryx on the Net; she was the eight-year-old star of a pedophilic film on a site called HottTotts. Oryx's story is a counterpoint to Jimmy and Crake's affluent adolescence. She was sold by her Southeast Asian parents, taken to the city and eventually made into a sex "pixie" in some distant country. Jimmy meets Oryx much later-after college, after Crake gets Jimmy a job with ReJoovenEsence. Crake is designing the Crakers-a new, multicolored placid race of human beings, smelling vaguely of citron. He's procured Oryx to be his personal assistant. She teaches the Crakers how to cope in the world and goes out on secret missions. The mystery on which this riveting, disturbing tale hinges is how Crake and Oryx and civilization vanished, and how Jimmy-who also calls himself "the Snowman," after that other rare, hunted specimen, the Abominable Snowman-survived. Chesterton once wrote of the "thousand romances that lie secreted in The Origin of Species." Atwood has extracted one of the most hair-raising of them, and one of the most brilliant. (May 6) Forecast: Readers who know Atwood primarily as the author of The Handmaid's Tale will be thrilled by this return to the future; those who follow her work more closely will be even more impressed. This is a potential dystopian classic and should sell accordingly. Author tour. Copyright 2003 Reed Business Information.
"Towering and intrepid. . . . Atwood does Orwell one better."
-The New Yorker
"Atwood has long since established herself as one of the
best writers in English today, but Oryx and Crake may well
be her best work yet. . . . Brilliant, provocative, sumptuous and
downright terrifying." -The Baltimore Sun
"Her shuddering post-apocalyptic vision of the world . . .
summons up echoes of George Orwell, Anthony Burgess and Aldous
Huxley. . . . Oryx and Crake [is] in the forefront of
visionary fiction." -The Seattle Times
"A book too marvelous to miss." -The San Diego
Union-Tribune
"Majestic. . . . Keeps us on the edges of our seats."
-The Washington Post
"A compelling futuristic vision. . . . Oryx and
Crake carries itself with a refreshing lightness. . . . Its
shrewd pacing neatly balances action and exposition. . . . What
gives the book a deeper resonance is its humanity." -Newsday
"[A] stunning new novel-possibly her best since The
Handmaid's Tale." -Time Out New York
"A delightful amalgam for the sophisticated reader: her
perfectly placed prose, poetic language and tongue-in-cheek tone
are ubiquitous throughout, as if an enchanted nanny is telling one
a dark bedtime story of alienation and ruin while lovingly stroking
one's head." -Ms.
"Truly remarkable. . . . As fun as it is dark. . . . A
feast of realism, science fiction, satire, elegy and then some. . .
. Atwood has concocted here an all-too-possible vision. . . . [She
is] a master." -The News & Observer (Raleigh, North
Carolina)
"A roll of dry, black, parodic laughter. . . . One of the year's
most surprising novels." -The Economist
"Sublime. . . . Good, solid, Swiftian science fiction from
a . . . literary artist par excellence." -The Denver Post
"Dances with energy and sophisticated gallows humor. . . .
[Atwood's] wry wit makes dystopia fun." -People
"A crackling read. . . . Atwood is one of the most
impressively ambitious writers of our time." -The Guardian
"Gorgeously written, full of eyeball-smacking images and
riveting social and scientific commentary. . . . A cunning and
engrossing book by one of the great masters of the form." -The
Buffalo News
"A powerful vision. . . . Very readable." -The New York
Times Book Review
"Brilliant, impossible to put down. . . . Atwood . . . is
at once commanding and enchanting. Piercingly intelligent and
piquantly witty, highly imaginative and unfailingly compassionate,
she is a spoonful-of-sugar storyteller, concealing the strong and
necessary medicine of her stinging social commentary within the
balm of dazzlingly complicated and compelling characters and
intricate and involving predicaments." -The Atlanta
Journal-Constitution
"Original and chilling. . . . Powerful, inventive, playful
and difficult to resist." -Pittsburgh Post-Gazette
"Brilliantly constructed. . . . Jimmy and Crake grip like
characters out of Greek tragedy. . . . Atwood herself is one of our
finest linguistic engineers. Her carefully calibrated sentences are
formulated to hook and paralyse the reader." -The Daily
Telegraph
"Atwood does not disappoint." -The Dallas Morning
News
"Gripping. . . . Bursts with invention and mordant wit,
none of which slows down its headlong pace. . . . Atwood is in
sleek form. . . . [Her] prescience is unsettling." -St.
Petersburg Times
"Biting, black humor and absorbing storytelling. . . .
Atwood entices." -USA Today
"Compelling. . . . Packed with fascinating ideas. . . . Her
most accessible book in years, a gripping, unadorned story."
-The Onion
"This superlatively gripping and remarkably imagined book
joins The Handmaid's Tale in the distinguished company of
novels (The Time Machine, Brave New World and 1984)
that look ahead to warn us about the results of human
shortsightedness." -The Times (London)
"Absorbing. . . . Atwood ahs not lost her touch for following the
darker paths of speculative fiction-she easily creates a
believable, contained future world." -Seattle Weekly
"Engrossing. . . . A novel of ideas, narrated with an
almost scientific dispassion and a caustic, distanced humor. The
prose is fast and clean." -Rocky Mountain News
"Riveting and thought-provoking. . . . Keen and cutting. .
. . [Atwood] has grown into one of the most consistently
imaginative and masterful fiction writers writing in English
today." -Richmond Times-Dispatch
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