A sweeping intergenerational novel from 2019 Prime Minister's Literary Award winner Gail Jones.
Gail Jones is one of Australia’s most celebrated writers. She is the author of two short story collections and eight novels, and her work has been translated into several languages. She has received numerous literary awards, including the Prime Minister’s Literary Award, the Age Book of the Year, the South Australian Premier’s Award, the ALS Gold Medal and the Kibble Award, and has been shortlisted for the Miles Franklin Literary Award, the International Dublin Literary Award and the Prix Femina Étranger. Originally from Western Australia, she now lives in Sydney.
‘A beautifully written and finely imagined novel.’
*Weekly Times*
'Gail Jones’s new novel, Our Shadows, provides readers with another
virtuoso performance, showing a writer fully in control of her
medium. It is a poetic and beautifully crafted evocation of shadowy
pasts whose traumatic effects (in the world and in individual
lives) stretch deep into the present and the future.’
*Australian Book Review*
'Gail Jones deftly and sensitively brings together these disparate
stories into a meditation on grief, loss, estrangement, identity
and, strangely enough, mining and underground rescue. The concepts
and feelings tackled here are beautifully universal, but told in a
context that is uniquely Australian. Jones’s novel is an inventive
blend of contemporary and historical fiction, real and imagined
characters. This is required reading for anyone interested in the
state of literary fiction in Australia today.’
*Readings*
‘When lists are made of the great novels of the Australian
landscape, [Our Shadows] deserves to be among them.’
*Australian*
'Gail Jones is a thoughtful, accomplished writer whose work speaks
for itself...Praised for her precise, incisive observations,
Jones’s writing frequently offers nuanced reflections on the
cultural state of Australia as well as quiet revelations about the
lives of her characters. Our Shadows is no exception…written like
the wave that haunts its imaginative landscape, ebbing and flowing
from past generations to the present and back again.’
*Guardian*
‘A narrative poised between celebration and condemnation, exploring
the space between individual experience and broader societal
forces—between fixed historical record and a future still in
formation. It is a story that balances, delicately but with intense
concentration and craft, the symbolic potency of mining with an
account of ordinary lives shaped by daily intimacy with the
industry.’
*Geordie Williamson, Saturday Paper*
'Jones’s writing is magnificent, and there are many lines in this
book which hint at larger truths. It is a book to be read again and
again and again.’
*AU Review*
'Touching on love, illness and grief, it is hauntingly
beautiful.’
*Good Weekend*
'The braid Jones plaits here is complex, entwining fact and
invention…[she] moves us back and forth across time with such
confident dexterity.’
*Advertiser*
‘The seam in this mine-like work is deep: there are three levels
for three centuries...The language is often poetic. Jones reminds
us of Virginia Woolf—the same rapt receptivity. Then there are
Joycean moments when Elsie dreams of Fred and their waltzing days:
“The smell of him yes one two one two.” Jones writes with a
suppleness that brings to mind David Malouf—a cool determination
(welcome in this age of stubbornly anonymous prose) not to sound
like everyone else.’
*Peter Rose, Age*
‘A masterwork.’
*RN Bookshelf*
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