Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society.
Born in Ireland, Wilde (1854-1900) was educated in Dublin and Oxford and became the leading exponent of aestheticism. His work includes plays, a novel, poetry and criticism. Imprisoned for homosexual acts, he died after his release in exile in Paris. Robert Mighall has written on Gothic fiction and is the editor of Stevenson's Dr Jekyll and Mr Hyde for Penguin Classics.
This novel by Wilde is so well known that even many who have never read it or seen a movie version know the story. Briefly, a beautiful young man has a portrait painted that will show his aging and corruption while he himself remains young. And though it has been published in many editions since its first appearance in 1890 in a magazine, this edition is the first one based on Wilde's uncensored typescript. Frankel (English, Virginia Commonwealth Univ.) provides an introduction that sets the scene of the book in its cultural context, and he presents a bibliographic history detailing the rationale for this particular edition. Accompanying the text itself are Frankel's hundreds of annotations, a mixture of commentary, background information, and notes on sources. There are extensive illustrations reproduced here in both color and black and white, many from earlier editions of Dorian and others chosen to further illuminate the novel's themes. There are several images of Wilde as well. VERDICT Like Harvard University Press's other beautiful annotated editions of classics, this is both handsome and instructive. Recommended for all English literature collections.-David Azzolina, Univ. of Pennsylvania Lib., Philadelphia (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Gr 10 Up-"The Whole Story" format provides illustrations and annotations to the classic text. Ross's lively and sophisticated cartoons add interest, and historical information helps readers place the novel in proper context and gives insight into its characters. The problem with this attractive, glossy layout, however, is that the text and the quotes pulled from it are not always on the same page. Further, some illustrations and notations visually cut into the narrative and may distract readers. For example, a drawing appears on the first page along with the passage, "In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty," but that quote does not appear until the second page of the story. Useful as a supplement to the original novel, but not a replacement for it.-Karen Hoth, Marathon Middle/High School, FL Copyright 2001 Cahners Business Information.