From 1990 to 2006, Mark Harris worked as a writer and editor covering movies, television and books for Entertainment Weekly, where now writes the "Final Cut' back-page column. He has written about pop culture for several other magazines as well. He lives in New York City with his husband, Tony Kushner.
“Pictures at a Revolution is probably one of the best books I've
ever read in my life.” —Quentin Tarantino
“A rarity in the world of movie literature: A first-rate,
broad-gauged (and deliciously readable) cultural history.” —Richard
Schickel, LA Times
“A landmark new film book . . . sifts through the evidence with
reportorial acumen and great care, conjuring up the social and
cultural history of a lost world and drawing on sharp new
interviews with many of its major players. . . . Can take its place
alongside top-shelf film industry books.” —Janet Maslin, The New
York Times
American films have always been both a reflection of our times and an indicator of what we as a society could become. Harris, who writes Entertainment Weekly's "Final Cut" column, examines this dual nature through the nominees for Best Picture at the 1967 Academy Awards, thus encapsulating the sea change of Hollywood and America in that turbulent decade. The five nominees contained such disparate films as Bonnie and Clyde, In the Heat of the Night, and Dr. Doolittle. Harris follows these movies from their conception to Oscar night, showing not only how these films were made through exceptional access to their creators and stars but also what the films represented as statements of race, identity, and a new kind of violence (Bonnie and Clyde's would change film forever). Harris's experience covering film and television shows on every page, as this is the most engaging and, dare this reviewer say, entertaining book on the movies to be written in years. Highly recommended for all academic and public libraries. [See Prepub Alert, LJ 10/15/07.]-Peter Thornell, Hingham P.L., MA Copyright 2007 Reed Business Information.
"Pictures at a Revolution is probably one of the best books
I've ever read in my life." -Quentin Tarantino
"A rarity in the world of movie literature: A first-rate,
broad-gauged (and deliciously readable) cultural history."
-Richard Schickel, LA Times
"A landmark new film book . . . sifts through the evidence with
reportorial acumen and great care, conjuring up the social and
cultural history of a lost world and drawing on sharp new
interviews with many of its major players. . . . Can take its place
alongside top-shelf film industry books." -Janet Maslin, The
New York Times
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