About the Author

Benjamin Percy is the author of the novels Red Moon and The Wilding, and two short story collections, Refresh, Refresh and The Language of Elk. His writing has appeared in Esquire, GQ, Time, Tin House, and elsewhere. His honors include the Pushcart Prize, an NEA grant, the Plimpton Prize for Fiction, and a Whiting Award. Raised in the high desert of central Oregon, he lives in Minnesota.

Reviews

A remarkably rendered speculative history of America as well as a gripping grisly horror story... Complex, clever and on occasion wonderfully ironic.--Milwaukee Journal Sentinel
...a terrifically hairy werewolf novel.--Vanity Fair
Engrossing. . . . Readers shopping for some juicy literary horror to bite into this summer, perhaps starring hungry werewolves, would do well to pick up Benjamin Percy's Red Moon. . . A beast of a tale. . . . tense, slick and as gory as anything you'll read. But Percy's story possesses an unexpected depth, one that forces the reader to hold up a mirror and examine some uncomfortable prejudices.--Wisconsin State Journal
Red Moon is that rare beast, a genre novel that is literary, politically aware and thought-provoking.--The Guardian (UK)
Red Moon is a serious, politically symbolic novel-a literary novel about lycanthropes. If George Orwell had imagined a future where the werewolf population had grown to the degree that they were colonized and drugged, this terrifying novel might be it.--John Irving, author of In One Person
[A] stunning new read.--O Magazine
[Percy] deftly negotiates the delicate balance between crafting commentary and a compelling literary creation. . . . A gripping and violent story.--Roxane Gay, The Daily Beast
A heady mix of political allegory and urban fantasy. . . . Percy is a skilled writer, able to sympathetically portray both sides of this conflict, never resorting to a good-vs.-evil delineation. His novel examines the themes of race, religion, social injustice, and the war on terror while also providing a provocative update on the werewolf mythos. . . . Those looking for some contemporary politics mixed in with their modern horror will definitely find something to sink their teeth into.--Austin Chronicle
A powerfully written alternative history.--Tampa Bay Times
A splendid read. . . . Percy focuses on a trio of engaging and beautifully drawn characters. . . . [Percy] humanizes the werewolf, turning him from snarling beast into a creature for whom we feel compassion and affection.--Booklist (starred review)
Atmospheric . . . While some writers of paranormal novels wrap their creatures in romance and comic subplots, Percy has chosen a darker, more literary path. Red Moon is a morality tale cloaked in fur, fangs and social injustice. Werewolves are the monsters in the story, but the bete noire is humanity's moral decline.--USA Today
Audaciously complex and hauntingly composed. . . . [Percy] ballasts his nightmare with a poet's more natural magic. . . . Fear, this book reminds us, is a beast that's always hungry.--Christian Science Monitor
Benjamin Percy is one of the most gifted and versatile writers to appear in American publishing in years. His degree of craft and natural talent are extraordinary; his ear for language is absolutely perfect. His prose has the masculine power of Ernest Hemingway's, but also the sensibilities and compassion of Eudora Welty. His writing is like a meeting of Shakespeare and rock 'n' roll. Benjamin Percy knows how to keep it in E-major, and what a ride it is.--James Lee Burke, author of Feast Day of Fools
Don't mistake this book for anything less than a great literary achievement; Red Moon is, in all likelihood, the most well-written werewolf novel you will come across.--New York Observer
Evocative, poetic prose...Percy's panoramic portrait is a welcome addition to literary horror.--Nylon
Excellent. . . . Benjamin Percy does for werewolves what Justin Cronin did for vampires and, before that, Max Brooks did for zombies. . . . Percy writes in an assured, cool, sexy style: there are shocks aplenty and suspense in spades, but no scares in the traditional horror novel sense. By situating his werewolves firmly in a post-9/11 world, he takes the old horror staple out of the shadows and shines a very contemporary spotlight on it.--The Guardian (UK)
Extraordinary. . . . An ambitious, epic novel. . . . Holds a mirror up to contemporary America to reflect its fears and biases.--Publishers Weekly
I can't think of another book that is more timely and relevant to the world we live in at this precise moment-the post-September 11th, post-Boston Marathon bombing landscape of heightened xenophobia and security-than Red Moon.--The Nervous Breakdown
It would be tempting, or at least easier, to put Percy's book in the werewolf subgenre, but Red Moon is much more than that. Dark, bloody, violent, relentlessly grounded in the post-9/11 world and the Pacific Northwest, not without humor but sparing in its application, Red Moon could well serve as the Heart of Darkness of a new, more anxious generation, one that must somehow come to terms with the enemies, real or perceived, who live quietly among us.--The Oregonian
One of America's promising young writers. . . . [Percy] crafts sentences that drip with the same drool of the lycans who both terrorize and save his protagonists. . . . Literary fiction with a menacing tone, a thrilling pace, and no shortage of bloody imagery.--The Inlander (Spokane)
Packed with suspense, political intrigue and an against-the-odds romance, Percy's latest has all the makings of a summer blockbuster. . . . If you toss this supernatural thriller into your beach bag you're unlikely to regret it.--All You
Percy has a lusty flair for describing destruction. . . . When Claire and Patrick take the field, the book lights up, and the writing possesses a resonant, emotional honesty. . . . The story is imaginative and lots of fun, and it will deservedly charm many readers.--Justin Cronin, New York Times Book Review
Percy is an ace world-builder, creating a massive cast of characters and a surprisingly believable alternate history. . . . Devastating and darkly funny.--Entertainment Weekly (grade: A-)
Percy's latest novel is a smart, action-packed political thriller. . . . It's a high-wire literary act that the author pulls off with panache.--Entertainment Weekly's "Must List"
RED MOON is a complex novel, and a thriller of real power. The action sequences are fast moving, often gruesome, and delivered with an edge-of-the-seat pace. The descriptive scenes can take your breath away with the power of the writing.--The Strand
Smart and brisk and often poetic...Percy knows how to draw intense, dramatic scenes as the world goes feral.--Ron Charles, Washington Post
Spellbinding . . . RED MOON is a cross between Stephen King and the Michael Chabon of The Yiddish Policeman's Union . . . . A fat, multilayered page-turner. . . . If you haven't read Percy, get started.--Book Page
Terrifying and tense.--Chicago Tribune
The prose in this page-turner is purposefully cinematic. . . . Reading Red Moon involves a personal connection with a diverse set of characters, some of whom we may recognize. Percy seems to foster this connection, hoping we relate on a grand scale of humanity. He challenges readers to acknowledge a kinship with the enemy and to 'make yourself heard. Howl.'--The Missourian
There's no other way to say it: Benjamin Percy has written a stunner, a genre-bending novel of suspense and terror but with Percy's usual force-of-nature language and his deep insights into character. I cannot recommend this novel highly enough, nor could I put it down.--Tom Franklin, author of Crooked Letter, Crooked Letter, Hell at the Breech and Poachers
This literary thriller by an award-winning young writer will excite fans of modern horror who enjoy a large canvas and a history to go with their bloody action. . . . Fans of Max Brooks's zombies and Justin Cronin's vampires will enjoy the dramatic breadth of Percy's tale of werewolves.--Library Journal (starred review)
With Red Moon one of our most blazingly gifted young writers stakes his claim to national attention. Benjamin Percy has one great advantage over most writers who attempt 'literary horror': he understands the literature of real horror from the inside out, and he speaks it like a native. This is a novel with the power to thrill and transport, also to lead the reader well out of her comfort zone and into emotional territory few people have ever seen.--Peter Straub