Acknowledgements
Introduction
Patrick White’s Public Selves
Brigid Rooney: Public Recluse: Patrick White’s Literary-Political
Returns
Bernadette Brennan: Riders in the Chariot: A Tale For Our Times
Rodney Wetherell: Patrick White and his Award
Form and Expression
Jennifer Rutherford: Homo Nullius: The Politics of Pessimism in
Patrick White’s The Tree of Man
Anthony Uhlmann: The Symbol in Patrick White
Elizabeth McMahon: The Lateness and Queerness of The Twyborn
Affair: White’s Farewell to the Novel
White’s Metaphysics
Bill Ashcroft: The Presence of the Sacred in Patrick White
Lyn McCredden: Voss: Earthed and Transformative Sacredness
Veronica Brady: The Dragon Slayer: Patrick White and the
Contestation of History
Performance
John McCallum: The Late, Crazy Plays
Brigitta Olubas: “Some of the doors of the house have never been
seen open”: Poetic Habitation and Civil Space in Patrick White’s
Early Drama
Gregory Graham–Smith: Against the Androgyne as Humanist He(te)ro:
Patrick White’s Queering of the Platonic Myth
Bibliography
Lorraine Burdett: Patrick White, 1994–2009
Notes on Contributors
Index
Elizabeth McMahon and Brigitta Olubas are both Senior Lecturers in English at the University of New South Wales and are co-editors of Women Making Time: Contemporary Feminist Critique and Cultural Analysis (2006). Elizabeth has published numerous essays on Patrick White and is the co-editor of Southerly, Australia’s oldest literary journal. Brigitta has published widely on Australian literary and visual culture, including essays on Tracey Moffatt and Raimond Gaita.
Remembering Patrick Whiteis an essential shot in the arm. It reminds us we do need actively to remember Patrick White, to fetch him back centre-stage in Australian literary scholarship. And yet the essays in this book also look forward, remembering in order to re-energise scholarship on White’s novels, plays, and life. Indeed, if this timely book reminds us of the vitality – and the resolute contemporaneousness – of White’s intellectual engagement with Australia and the world, it is to show us how much we still have to gain from bringing new perspectives to bear upon his body of work, which is no less astounding in the twenty-first century than it was during his lifetime.” – Ian Henderson, King’s College London
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