Caldecott medalist Ed Young was born in Tientsin, China, and brought up in Shanghai. He cites the philosophy of Chinese painting as an inspiration for much of his work. "A Chinese painting is often accompanied by words," he explains; "they are complementary. There are things that words do that pictures never can, and likewise, there are images that words can never describe."
Mr. Young has been illustrating children's books for more than twenty years and has won many awards. He received the 1990 Caldecott Medal for his book Lon Po Po, and his much-lauded collaboration with anthologist Nancy Larrick, Cats Are Cats, was named one of the Ten Best Illustrated Books of 1988 by The New York Times.
Mr. Young studied at the University of Illinois, the Art Center of Los Angeles, and Pratt Institute in New York City. He and his family live in Hastings-on-Hudson, New York.
copyright 2000 by Penguin Putnam Books for Young Readers. All
rights reserved.
Caldecott medalist Ed Young was born in Tientsin, China, and
brought up in Shanghai. He cites the philosophy of Chinese painting
as an inspiration for much of his work. "A Chinese painting is
often accompanied by words," he explains; "they are complementary.
There are things that words do that pictures never can, and
likewise, there are images that words can never describe."
Mr. Young has been illustrating children's books for more than twenty years and has won many awards. He received the 1990 Caldecott Medal for his book Lon Po Po, and his much-lauded collaboration with anthologist Nancy Larrick, Cats Are Cats, was named one of the Ten Best Illustrated Books of 1988 by The New York Times.
Mr. Young studied at the University of Illinois, the Art Center of Los Angeles, and Pratt Institute in New York City. He and his family live in Hastings-on-Hudson, New York.
copyright 2000 by Penguin Putnam Books for Young Readers. All rights reserved.
In a stunning celebration of color Caldecott medalist Young ( Lon Po Po ) offers a vibrant variation on the fable of the blind men trying to identify an elephant. Seven differently-hued blind mice approach the ``strange Something'' in their midst on successive days and report their findings to the group. A large black square provides the background for each painting, a dramatic contrast to the brilliant images ``felt'' by the sightless rodents. Young's textured, cut-paper illustrations allow readers to visualize just how a floppy ear might be mistaken for a fan (``I felt it move!''); the elephant's curving trunk springs to life as both a jewel-green snake and a glowing yellow spear. The spare text permits greater exploration and enjoyment of the artwork--it may be difficult to read the story straight through without stopping to compare the various images. The ``Mouse Moral'' that concludes the tale--``Knowing in part may make a fine tale, but wisdom comes from seeing the whole''--may seem superfluous to those who prefer the imaginative ``vision'' of the mice. Ages 4-up. (Apr.)
K-Gr 3-- A real winner, on many levels. The first impression is visual delight. Brilliant colors and varied textures of paper collage are placed in striking contrast against velvety black pages. Bold white lettering imposed on the dark background tells of seven blind mice, seen in seven bright colors. Over the course of a week each investigates, in turn, the strange ``Something'' it encounters. To one it is a pillar, to another a snake, to another a cliff. Finally, on the seventh day, the white mouse, running across the thing and remembering what the others found, concludes that it is an elephant. The tale ends with the moral that wisdom comes from seeing ``the whole.'' Adapting the old fable of the blind men and the elephant by weaving in the days of the week, the mice, and the beautiful shapes of the things they see, Young gives children a clever story, wise words, and a truly exciting visual experience.-- Shirley Wilton, Ocean County College, Toms River, NJ
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