SECTION ONE EUGENIA ERRÁZURIZ - THE GENESIS OF THE STYLE SECTION TWO JEAN-MICHEL FRANK - THE DESIGNER OF THE STYLE SECTION THREE COMTE LTD - THE PRODUCER OF THE STYLE… BIBLIOGRAPHY
In Paris in the 1920's a new style was born, rejecting the embellishments of Art Nouveau and Art Deco, it allied the linear proportions of late eighteenth-century furniture to a twentieth-century perception, paring down superfluous detail to the essence of classic modernism. This title offers insights on artists of the period such as Man Ray.
Following a BA Hons degree in French and an MA in South Asian studies, Mo Teitelbaum found herself in Paris in the early 1970s, engaged in research for a PhD on the history of French Indochina. One single event then made her change focus as a historian - a meeting with Eileen Gray. The feature article she subsequently published in the Sunday Times Magazine on the ninety-six-year-old designer, was the very first to reach a mass readership. Major museum exhibitions on Eileen Gray followed. Concerned now that other extraordinary lives and talents may have been overlooked, and certainly never made available to such a readership, Mo Teitelbaum now dedicates herself to retrieving 'lost' histories to present to a wider public. Six years of research in South America have resulted in The Stylemakers - another history that was lost to a wider public.
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