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Richard Maxwell is an American director and playwright and the artistic director of New York City Players. Maxwell's plays have been commissioned and presented in over twenty countries. He is a Doris Duke Performing Artist. Maxwell has been selected for a Guggenheim Fellowship, two OBIE Awards, a Foundation for Contemporary Arts Grant, and he was an invited artist in the Whitney Biennial (2012). Maxwell is the recipient of the 2014 Spalding Gray Award.
"The writer and director Richard Maxwell is a stylist of the first
order, which is to say that the content of what he says is equal to
how he says it. When I read or think about a Maxwell text, I don’t
so much recall any other writer. Rather, I think about visual
artists and colors, usually some gradation of gray, and as painted
by Agnes Martin: a series of lines and, ultimately, grids that
seduce through a visible splendor that is immediate but not florid.
You have to work to meet the work’s meaning." - Hilton Als, New
Yorker
"Although rich with sublimated humor and magnified nuance,
Maxwell’s theater works are noted for their non-emotive acting
style coupled with an extreme form of neutrality in direction.
Circular conversations, fractured silences, and dead-pan absurdity
permeate his works, yet one never suspects lurking parody or
satire. Instead, the result is a sophisticated, surprisingly moving
rendering of the human condition laid bare." - Walker Art Center,
Minneapolis, MN
"Though few of Mr. Maxwell’s characters would put it this way, the
sense of being 'unwritten and without form' has always seemed to
grip them, from the playwright’s breakthrough work, House (1998),
to his everyday Joycean odyssey, Neutral Hero (2012). Whether
they’re cowboys, cops, robbers, medieval knights or garden-variety
Americans, the denizens of Planet Maxwell talk in a forthright,
emphatic prose that rings hollow in the mouths of its speakers.
They say one thing, they say the opposite. And every contradiction
is uttered with the same uncertain certainty. Listening to Mr.
Maxwell’s characters talk, you become aware of how much all
conversation is a matter of groping in the dark, no matter how
solid and common the words are." - Ben Brantley, New York Times
"The writer and director Richard Maxwell is a stylist of the first
order, which is to say that the content of what he says is equal to
how he says it. When I read or think about a Maxwell text, I don’t
so much recall any other writer. Rather, I think about visual
artists and colors, usually some gradation of gray, and as painted
by Agnes Martin: a series of lines and, ultimately, grids that
seduce through a visible splendor that is immediate but not florid.
You have to work to meet the work’s meaning." - Hilton Als, New
Yorker
"Although rich with sublimated humor and magnified nuance,
Maxwell’s theater works are noted for their non-emotive acting
style coupled with an extreme form of neutrality in direction.
Circular conversations, fractured silences, and dead-pan absurdity
permeate his works, yet one never suspects lurking parody or
satire. Instead, the result is a sophisticated, surprisingly moving
rendering of the human condition laid bare." - Walker Art Center,
Minneapolis, MN
"Though few of Mr. Maxwell’s characters would put it this way, the
sense of being 'unwritten and without form' has always seemed to
grip them, from the playwright’s breakthrough work, House (1998),
to his everyday Joycean odyssey, Neutral Hero (2012). Whether
they’re cowboys, cops, robbers, medieval knights or garden-variety
Americans, the denizens of Planet Maxwell talk in a forthright,
emphatic prose that rings hollow in the mouths of its speakers.
They say one thing, they say the opposite. And every contradiction
is uttered with the same uncertain certainty. Listening to Mr.
Maxwell’s characters talk, you become aware of how much all
conversation is a matter of groping in the dark, no matter how
solid and common the words are." - Ben Brantley, New York Times
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