Chapter 1 Materiality, Conflict and the Great WarThe Great War of 1914-1918Configurations of Matter and MeaningChapter 2 What is Trench Art?Chapter 3 Trench Art before TrenchesShapes from the PastNineteenth-century Wars in ObjectsChapter 4 Classifying First World War Trench ArtFragments as CategoriesCategory 1 Soldiers, 1914-1930Sub-category 1a Active Service, 1914-1918Sub-category 1b Prisoners of War, 1914-1918Sub-category 1c The Wounded, 1914-1919Sub-category 1d Post-war Service Personnel, 1918-1930CommentsCategory 2 Civilians, 1914-1939Sub-category 2a 1914-1918Sub-category 2b 1919-1939Sub-category 2c 1914-1919 CommentsCategory 3 Commercial Production, c.1918-1939Final CommentsChapter 5 Ironic ShellsThe Life of the ShellIronies of ProductionThe MakersThe TechniquesStyle, Stories and DecorationCommentsChapter 6 A World of MetalsWriting EquipmentPhotograph FramesSmoking EquipmentJewelleryMiniatures, Models and TalismansChapter 7 Wood, Textiles, Stone and BoneWoodworkTextilesAnimal and Human BoneChalk and StoneCommentsChapter 8 Objects and Landscape in Conflict, 1914-1918The Landscape of WarBetween Landscape and ObjectChapter 9 Objects and Landscape in Memory, 1919-2002Landscapes of Contested MemoryObjects, Landscapes and MemoryLandscapes on ObjectsLandscape, Object and HomeObjects and Landscapes, 1940-2002Chapter 10 Art, Museums and RecycliaWar into ArtExhibition, Art and MuseumTrench Art as RecycliaChapter 11 Trading FuturesThe Second World War, 1939-1945Case Study 1: Finland : Trench Art from the Karelian TrenchesCase Study 2: The United Kingdom and the 'Italian Chapel' :The Post-War Era, 1945-2002Case Study 3: Afghanistan and the Carpets of WarCase Study 4: Mozambique and 'Swords in Ploughshares'Case Study 5: Bosnia: Fighting with Style Changing ShapesCommentsChapter 12 ConclusionMaking MemoriesRetailing MemoriesCommentsBibliographyIndex
Also available in hardback, 9781859736036 GBP50.00 (August, 2003)
Nicholas J. Saunders is Lecturer in Material Culture at University College London, and a Senior Research Fellow at the British Academy.
'Through his most thorough research, the author has almost single-handedly focused the attention of many collectors and curators to the importance of trench art in just the last few years.'James Brazier, Stand To! The Journal Of The Western Front Association"Nicholas J. Saunders is the first person to present this previously disregarded aspect of material culture for academic study. The fruits of his research make compelling reading for anthropologists, historians and curators alike."Paul Cornish, Imperial War Museum 'Saunders has a unique ability to mix anthropology, the study of material culture and of all kinds of traces, and to understand the main questions at the heart of the Great War. He helps us to understand not only the First World War but also the entire scope of violence and suffering in the modern world.' Annette Becker, University Paris-X/Nanterre 'With this work Saunders has achieved one of the holy grails of research: indentifying and developing a subject which has received little if any serious attention from academics ... this is an excellent piece of work and should set the standard for further work in this area from a variety of perspectives.' A.B. Graves, Assemblage
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