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Ugliness
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Andrei Pop and Mechtild Widrich, Rethinking Ugliness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Politics of Ugliness Gretchen E. Henderson, The Ugly Face Club: A Case Study in the Tangled Politics and Aesthetics of Deformity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Suzannah Biernoff, The Face of War . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon Taylor, Picasso and the Psychoanalysts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mechtild Widrich, The 'Ugliness' of the Avant-garde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Experience of Ugliness Edward Payne, Ribera's Grotesque Heads: Between Anatomical Study and Cultural Curiosity . . . . . Frederique Desbuissons, The Studio and the Kitchen: Culinary Ugliness as Pictorial Stigmatisation in Nineteenth-Century France . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kathryn Simpson, I'm Ugly Because You Hate Me: Ugliness and Negative Empathy in Oskar Kokoschka's Early Self-Portraiture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adele Tan, From Political Travesties to Aesthetic Justice - the Ugly in Teo Eng Seng's D Cells . . . . The Theory of Ugliness Andrei Pop, Can Beauty and Ugliness Coexist? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kassandra Nakas, Putrefied, Deliquescent, Amorphous: The 'Liquefying' Rhetoric of Ugliness . . . . . Odeta Zukauskien?, Orderly Ugliness, Anamorphosis and Visionary Worlds. Jurgis Baltrusaitis' Contribution to Art History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Three Definitions of Ugliness (1765, 1843, 1882) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

About the Author

Andrei Pop is postdoctoral fellow, University of Basel and Mechtild Widrich is postdoctoral fellow, department of architecture, ETH Zurich.

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