Superannotation for the B&T catalog
Blurbs will be sought from feminist authors such as Francesca Lia
Block, Rebecca Solnit, Kate Schatz, Kate Christensen, Elizabeth
Wurzel, Andi Zeisler
Ariel Gore will be the Feminist Press's featured author at Brooklyn
Book Festival 2017.
Galleys will be available in late March 2017 for sales conference,
featured at BEA 2017, and for a national print and online media
mailing (see below):
Sending advance copies to the following publications (both print
and online):
General/regional: LA Times, Chicago Sun Times, Chicago Tribune,
Village Voice, The New York Times, Chicago Daily Herald, Buzzfeed,
Huffington Post, VICE Media, Los Angeles Times, San Francisco
Chronicle, Boston Globe, Chronicle of Higher Education, Daily Dot,
Wall Street Journal, Seattle Times, TrendingNY, Daily Beast,
Harper's, VICE, Buzzfeed, Village Voice, Chicago Tribune, Los
Angeles Times, Oregonian, Philadelphia Inquirer
Literary: Guernica, n+1, Bookforum, New York Review of Books, LA
Review of Books, The Millions, LitHub, The Paris Review, The
Believer, Bloomsbury Review, Rain Taxi, The Rumpus, BookPage, Full
Stop, Book Riot, BOMB, Granta, Boston Review, Brooklyn Review
Women's interest/popular culture: Ms., Bitch, Bust, VICE Broadly,
Jezebel, The Hairpin, Salon, xojane.com, Feministing, Autostraddle,
Lenny, Riveter Magazine, Oprah, Elle, Marie Claire, Vanity Fair
"Hot Type", Nylon, Refinery29, Complex
Trades: Publisher's Weekly, Booklist, Kirkus, Library Journal,
School Library Journal, CHOICE, Shelf Awareness, Horn Book
Ariel Gore is a journalist, memoirist, novelist, nonfiction
author, and teacher. She is a graduate of Mills
College and the University of California at
Berkeley Graduate School of Journalism. She is the founding
editor/publisher of Hip Mama, an Alternative Press
Award-winning publication covering the culture and politics of
motherhood.
Her memoir, Atlas of the Human Heart, was a 2004 finalist for
the Oregon Book Award. Her anthology Portland Queer:
Tales of the Rose City won the LAMBDA Literary Award in 2010.
She has taught at The Attic Institute in Portland, Oregon, at the
University of New Mexico in Albuquerque, and at the Institute for
American Indian Arts in Santa Fe. She currently teaches online at
Ariel Gore's School for Wayward Writers.
"Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice." —Publishers Weekly "This book mimics the messy, discursive texture of memory—of life. . . . Inventive and affecting." —Kirkus Reviews "A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it." —Booklist "Told with whimsy and dignity. . . . This “memoirist’s novel” is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic." —The Riveter "Gore tells her story with such verve and wit I missed my train stop reading it." —Lambda Literary Review "Ariel. . . .calculates and acts impulsively and makes strange and strong choices. And we are right there with her." —Santa Fe Reporter "A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read." —Ms. magazine blog “The voice of this book is striking. It’s authoritative, incantatory, and yet also naïve, in the sense that it lets the reader experience events with the immediacy the young protagonist does.” —The Rumpus “We Were Witches is a novel that reads more like a magic spell/memoir/memory/body…it is everything you didn’t know you were allowed to want in a narrative.” —Autostraddle "Like a talisman, Gore’s prose works its magic with authoritative subtlety. Reading it will leave you changed for the better." — Signature Reads “Ariel Gore’s We Were Witches is one woman’s body refusing to become property, refusing to be overwritten by law or traditions, one woman’s body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song.” —Lidia Yuknavitch, author of The Small Backs of Children “We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore’s writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge.” —Susie Bright, author of Big Sex Little Death “Forget Freytag's Pyramid (of Predictable Male Prose)—behold Gore’s Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it.” —Kate Schatz, author of Rad American Women A-Z “We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture’s strongest authors at her most experimental and personal.” —Michelle Tea, author of Black Wave “Ariel Gore’s We Were Witches is both magical and punk rock—the way it takes traditional values and traditional story structure to task, the way Gore’s protagonist, Ariel, uses witchy intelligence to resist a system totally against her.” —Michelle Cruz Gonzales, author of The Spitboy Rule
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