Don DeLillo is the author of sixteen novels, including Zero K, Underworld, Falling Man, White Noise, and Libra. He has won the National Book Award, the PEN/Faulkner Award for Fiction, the Jerusalem Prize for his complete body of work, and the William Dean Howells Medal from the American Academy of Arts and Letters. In 2010, he was awarded the PEN/Saul Bellow Prize. The Angel Esmeralda was a finalist for the 2011 Story Prize and the PEN/Faulkner Award for Fiction. In 2012, DeLillo received the Carl Sandburg Literary Award for his body of work.
Praise for White Noise:
Winner of the National Book Award for Fiction
“When I reread White Noise, I was struck by how hilarious it still
is, how accurate to its moment and yet, like all great books, how
it also speaks to this moment; the same absurdities and ironies
still apply. . . You now understand what people mean when
they notice something in real life and describe it as
DeLillo-esque. And things have only become more DeLillo-esque.”
—Dana Spiotta, The New York Times Book Review
“In White Noise, DeLillo nailed a structure of feeling that shapes
our present consciousness. What White Noise does well is
render visible aspects of social and political life that have been
normalized into near invisibility . . . Things still seem to be
just like White Noise because of DeLillo’s gift for observing the
world as if he had just been dropped into it.”
—Jordan Kisner, The Atlantic
“One of the most ironic, intelligent, grimly funny voices to
comment on life in present-day America . . . [White Noise] poses
inescapable questions with consummate skill.”
—Jayne Anne Phillips, The New York Times Book Review
“Don DeLillo’s novels have evolved with society, ringing true even
when they could or should feel outdated, but none are more
prescient than White Noise . . . In the 1980s, DeLillo could never
have dreamed where the world would end up, but his universal truths
still hold. As we’re bombarded with emails, texts, and social media
posts, the book is as relevant, if not more, than it ever was. All
of us search for meaning as we experience daily FOMO on our phones,
wishing for another life, one promised to us by advertising
agencies and politicians. For that, the book is a perfect satire of
the world we still live in.”
—Kevin Koczwara, Esquire
“DeLillo's eighth novel should win him wide recognition as one of
the best American noveslists. . . . the homey comedy of White Noise
invites us into a world we're glad to enter. Then the sinister buzz
of implication makes the book unforgettably disturbing.”
—Newsweek
“A stunning book . . . it is a novel of hairline prophecy, showing
a desolate and all-too-believable future in the evidence of an
all-too-recognizable present. . . . Through tenderness, wit, and a
powerful irony, DeLillo has made every aspect of White Noise a
moving picture of a disquiet we seem to share more and more.”
—Los Angeles Times
“White Noise captures the quality of daily existence in
media-saturated, hyper-capitalistic postmodern America so
precisely, you don’t know whether to laugh or whimper.”
—TIME
“DeLillo is a prodigiously gifted writer. His cool but evocative
prose is witty, biting, surprising, precise . . . White Noise [is]
arguably [his] best novel.”
—The Washington Post
“Its brilliance is dark and sheathed. And probing. In White Noise,
Don DeLillo takes a Geiger-counter reading of the American family,
and comes up with ominous clicks."
—Vanity Fair
“A stunning performance from one of our most intelligent novelists
. . . Tremendously funny.”
—The New Republic
“DeLillo’s love and flair for language unite to tell us [...]
something discomforting about mortality and something profound
about the way we deal with it. It may be a novel superabounding
with words, but none of them are wasted.”
—The Guardian
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