Published for 'William Yang: Seeing and Being Seen', an exhibition organised by the Queensland Art Gallery I Gallery of Modern Art (QAGOMA) and held at QAG, Brisbane, Australia, 27 March - 22 August 2021.
Rosie Hays is Associate Curator, Australian Cinémathèque,
QAGOMA, and curator of 'William Yang: Seeing and Being Seen'. She
has curated numerous film programs for the Australian Cinémathèque,
including 'New Bollywood: Currents in Indian Cinema' for 'The Ninth
Asia Pacific Triennial of Contemporary Art' (APT9) in 2018, 'This
Land is Mine ¦ This Land is Me' in 2016, and 'Let There Be Rock' in
2011. She is also a programmer for the Brisbane International Film
Festival, hosted by QAGOMA (2018-20).
Benjamin Law is an Australian writer and broadcaster. He's
the author of the memoir The Family Law (2010), the travel book
Gaysia: Adventures in the Queer East (2012), the Quarterly Essay
'Moral panic 101' (2017), and the editor of the anthology Growing
Up Queer in Australia (2019). Benjamin also created and co-wrote
three seasons of the award-winning SBS TV series The Family Law -
based on his memoir. His debut play Torch the Place will be staged
by the Melbourne Theatre Company in 2020. He has a PhD in creative
writing and cultural studies from the Queensland University of
Technology (QUT).
Professor Susan Best is an art historian and Professor of
Art Theory and Fine Art at the Queensland College of Art, Griffith
University, Brisbane, and a fellow of the Australian Academy of the
Humanities. Her book Visualizing Feeling: Affect and the Feminine
Avant-garde (2011) won the Australian and New Zealand Art
Association (AAANZ) prize for best book, and Reparative Aesthetics:
Witnessing in Contemporary Art Photography (2016) was joint winner
of the AAANZ best book prize. She is currently completing a book on
body art and performance (Bloomsbury Philosophy).
![]() |
Ask a Question About this Product More... |
![]() |