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Women Photographers and Feminist Aesthetics
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Table of Contents

Introduction

1. Julia Margaret Cameron and Clementina Hawarden: Myths of Origin

2. After and in the Fracture: Claude Cahun, Lee Miller, and Surrealism

3. Truth in Photography: Dorothea Lange and Imogen Cunningham

4. Rough Street: Diane Arbus and Vivian Maier

5. Afterimages: Ana Mendieta and Francesca Woodman

6. Performances: Nan Goldin, Nikki Lee, Catherine Opie, and Zackary Drucker

7. Carrie Mae Weems and Sally Mann: The Original Experience

8. Ethnographies and Portraits: Mary Ellen Mark, Rineke Dijkstra, Zoe Strauss

9. Aida Muluneh and Lalla Essaydi: A History of Photography

10. Counterdiscourse, Seeing Anew: Rebecca Belmore and Matika Wilbur

Postscript

Exergue, on Dayanita Singh

Index

About the Author

Claire Raymond teaches Art History at the University of Virginia. She is the author of Francesca Woodman's Dark Gaze: the Diazotypes and Other Late Works; Witnessing Sadism in Texts of the American South; and Francesca Woodman and the Kantian Sublime. Her research focuses on aesthetics, poetics, and the intersections of cultural trauma and representation.

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