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The Bells
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Album: The Bells
# Song Title   Time
1)    Stupid Man
2)    Disco Mystic
3)    I Want to Boogie With You
4)    With You
5)    Looking for Love
6)    City Lights
7)    All Through the Night
8)    Families
9)    Bells, The
 

Album: The Bells
# Song Title   Time
1)    Stupid Man
2)    Disco Mystic
3)    I Want to Boogie With You
4)    With You
5)    Looking for Love
6)    City Lights
7)    All Through the Night
8)    Families
9)    Bells, The
 
Product Description
Product Details

Tracks

1. Stupid Man

2. Disco Mystic

3. I Want To Boogie With You

4. With You

5. Looking For Love

6. City Lights

7. All Through The Night

8. Families

9. The Bells

Performer Notes
  • Personnel: Lou Reed (vocals, electric guitar, synthesizer, bass); Ellard Bolles (12-string electric guitar, synthesizer, bass, background vocals); Don Cherry (African hunting guitar, trumpet); Marty Fogel (ocarina, soprano & tenor saxophones, Fender Rhodes piano); Michael Fonfara (electric & Fender Rhodes pianos, keyboards, Orberheim synthesizer, background vocals); Michael Suchorsky (percussion).
  • Producer: Lou Reed.
  • Reissue producer: Rob Santos.
  • Recorded at Delta Studios, Wilster, West Germany. Originally released on Arista (4229). Includes liner notes by Timothy & Karin Greenfield-Sanders.
  • Digtially remastered by Elliott Federman (SAJE Sound, New York, New York).
  • Personnel: Lou Reed (vocals, guitar, keyboards, guitar synthesizer); Ellard Bowles (vocals, guitar, synthesizer); Michael Fonfara (vocals, electric piano, Fender Rhodes piano, keyboards, synthesizer); Ellard Boles (vocals); Marty Fogel (ocarina, saxophone, soprano saxophone, tenor saxophone, Fender Rhodes piano); Don Cherry (trumpet); Michael Suchorsky (drums, percussion).
  • Audio Mixers: Rene Tinner; Lou Reed; Manfred Schunke.
  • Liner Note Author: Timothy Greenfield-Sanders.
  • Recording information: Delta Studio, Wilster, Germany.
  • Photographer: Gary Gross.
  • Intriguing even by Reed's own standards, THE BELLS is an experimental album, recorded in so-called binaural sound, a process which he became enamored with in the late '70s. Theoretically, it was supposed to simulate a 360 degree soundfield, although Reed himself has since admitted it didn't work.
  • Reed's usually plainspoken vocals are somewhat affected here, and the overall sound--courtesy of Marty Fogel's overdubbed saxophone section--verges on early '70s glam rock. Lyrically, the songs range from the meaningless "Disco Mystic" (it consists of the repetition of just those two words over a four minute instrumental), to more typical Reed dissertations about walks on the wild side, the most chilling of which "All Through the Night," is sung against a backdrop of cocktail party chatter. Also noteworthy are "City Lights," one of Reed's first overtly political songs and the title track.
Professional Reviews
The Wire (6/00, p.38) - "...Reed's somewhat quixotic quest to make supermarket disco boogie resonate with emotions that are plainly not there....skillfully rendering a mood a utter desolation..."
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