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Da Capo
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Album: Da Capo
# Song Title   Time
1)    Stephanie Knows Who More Info... 0:02
2)    Orange Skies More Info... 0:03
3)    Que Vida! More Info... 0:03
4)    Seven & Seven Is More Info... 0:02
5)    The Castle More Info... 0:03
6)    She Comes in Colors More Info... 0:02
7)    Revelation More Info... 0:19
8)    Stephanie Knows Who More Info... 0:02
9)    Orange Skies More Info... 0:03
10)    Que Vida! More Info... 0:03
11)    Seven & Seven Is More Info... 0:02
12)    The Castle More Info... 0:03
13)    She Comes in Colors More Info... 0:02
14)    Revelation More Info... 0:19
15)    Seven & Seven Is (Tracking Session) More Info... 0:03
 
Album: Da Capo
# Song Title   Time
1)    Stephanie Knows Who More Info... 0:02
2)    Orange Skies More Info... 0:03
3)    Que Vida! More Info... 0:03
4)    Seven & Seven Is More Info... 0:02
5)    The Castle More Info... 0:03
6)    She Comes in Colors More Info... 0:02
7)    Revelation More Info... 0:19
8)    Stephanie Knows Who More Info... 0:02
9)    Orange Skies More Info... 0:03
10)    Que Vida! More Info... 0:03
11)    Seven & Seven Is More Info... 0:02
12)    The Castle More Info... 0:03
13)    She Comes in Colors More Info... 0:02
14)    Revelation More Info... 0:19
15)    Seven & Seven Is (Tracking Session) More Info... 0:03
 
Product Description
Product Details

Tracks

Performer Notes
  • Love: Arthur Lee, Bryan Maclean (vocals, guitar); John Echols (guitar); Tjay Cantrelli (flute, saxophone); Alban "Snoopy" Pfisterer (keyboards, percussion); Ken Forssi (bass); Michael Stuart (percussion).
  • Recorded in Hollywood, California.
  • Love, fronted by the charismatic Arthur Lee, was the first rock band signed to the '60s folk label Elektra, and their wild, enigmatic sound was a big part of their unique appeal. DA CAPO, Love's second album, found the group augmented to a septet, allowing the material to shift through a variety of musical styles. The first six songs hover around the three-minute mark, employing odd time changes to touch on everything from waltzes and free jazz (in the same song) to more mainstream, pie-in-the-sky folk rock. After scoring a hit with the reverb-laden, fuzz-guitar driven "Seven & Seven Is," their follow-up FOREVER CHANGES led them down the path of critical respectability.
Professional Reviews
Q (May 2002, p.135) - 4 out of 5 stars - "...Of all '60s West Coast bands, none continue to command quite the same intensity of cultish fascination....an intoxicating fusion of garage-rock frustration, baroque psychedelic pop and Latin-flecked jazz..."

Mojo (Publisher) (6/02, p.126) - "...Remains a curious beast after all this time. The album's original 6-track first side is simply one of the most mesmerising sequences in all of Californian psych-pop....16 minutes 12 seconds of the genuine godlike stuff..."
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