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Duets
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Album: Duets
# Song Title   Time
1)    I Could Write A Book More Info... 4:25
2)    I Hear A Rhapsody More Info... 3:38
3)    Body And Soul More Info... 4:43
4)    Lonely Moments More Info... 4:16
5)    You're All I Need More Info... 3:17
6)    Alone Together More Info... 4:12
7)    It Might As Well Be Spring More Info... 4:45
8)    Nobody Else But Me More Info... 3:11
9)    I'll Take Romance More Info... 2:37
10)    You Don't Know What Love Is More Info... 4:20
11)    Too Late Now More Info... 5:04
12)    Smoke Gets In Your Eyes More Info... 6:03
13)    Emily More Info... 5:54
 

Album: Duets
# Song Title   Time
1)    I Could Write A Book More Info... 4:25
2)    I Hear A Rhapsody More Info... 3:38
3)    Body And Soul More Info... 4:43
4)    Lonely Moments More Info... 4:16
5)    You're All I Need More Info... 3:17
6)    Alone Together More Info... 4:12
7)    It Might As Well Be Spring More Info... 4:45
8)    Nobody Else But Me More Info... 3:11
9)    I'll Take Romance More Info... 2:37
10)    You Don't Know What Love Is More Info... 4:20
11)    Too Late Now More Info... 5:04
12)    Smoke Gets In Your Eyes More Info... 6:03
13)    Emily More Info... 5:54
 
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Performer Notes
  • Personnel: George Shearing (piano); Mel Torme, Ernestine Anderson, Carmen McRae (vocals); Hank Jones, Marian McPartland (piano); Jim Hall (guitar); Neil Swanson, Brian Torff (bass); Jeff Hamilton, Donny Osbourne (drums).
  • Recorded between 1980 & 1991. Includes liner notes by Fred Bouchard.
  • Personnel: George Shearing (piano); Ernestine Anderson, Mel Torm‚, Carmen McRae (vocals); Jim Hall (guitar); Hank Jones , Marian McPartland (piano); Jeff Hamilton , Donny Osborne (drums).
  • Liner Note Author: Fred Bouchard.
  • Record labels occasionally recycle older material for a number of reasons, some good and some not so good. Concord's logic has been simple: Why not compile an album around a specific aspect of an artist's style? Duets emphasizes pianist George Shearing's knack for accompanying singers, guitarists, and pianists in an intimate setting. The idea of only including duet material, however, isn't strictly adhered to. On the first cut, "I Could Write a Book," with Mel Torm‚, two other players join in, making the group a quartet. The cut nonetheless displays how well Shearing and Torm‚'s styles complement each other. There are other variations -- a trio and a quartet -- along the way, but this doesn't really detract from the theme. Among the strict duo pieces, there are lovely renderings of "I Hear a Rhapsody" and "Emily" with guitarist Jim Hall. Both players have a complementary light touch and their clean lines are the epitome of cool jazz. Pianist Hank Jones adds a bit of muscle on "Lonely Moments," resulting in heavy rhythms and joyful leads reminding one of ragtime and Fats Waller. "You Don't Know What Love Is" finds both pianists in a quieter, late-night mood, offering a smooth intertwining of lead and rhythm. There are also pairings with pianists Marian McPartland, and vocalists Carmen McRae and Ernestine Anderson. Duets gives the fan a chance to revisit a number of intimate Shearing recordings, while providing the casual jazz listener with a good introduction to a number of fine artists. ~ Ronnie D. Lankford, Jr.
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