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FAKE CAN BE JUST AS [Vinyl]
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Album: FAKE CAN BE JUST AS [Vinyl]
# Song Title   Time
1)    Kazuality More Info... 0:04
2)    Symphony of Treble More Info... 0:04
3)    Water More Info... 0:04
4)    Ego Maniac Kid More Info... 0:04
5)    Bipolar More Info... 0:05
6)    Pier Paolo More Info... 0:05
7)    Oh James More Info... 0:03
8)    Futurism Vs. Passéism More Info... 0:05
 
Album: FAKE CAN BE JUST AS [Vinyl]
# Song Title   Time
1)    Kazuality More Info... 0:04
2)    Symphony of Treble More Info... 0:04
3)    Water More Info... 0:04
4)    Ego Maniac Kid More Info... 0:04
5)    Bipolar More Info... 0:05
6)    Pier Paolo More Info... 0:05
7)    Oh James More Info... 0:03
8)    Futurism Vs. Passéism More Info... 0:05
 
Product Description
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Performer Notes
  • Blonde Redhead: Kazu Makino, Amedeo Pace (vocals, guitar); Simone Pace (keyboards, drums).
  • Additional personnel: Vern Rumsey (bass).
  • Recorded in Seattle, Washington in October 1996.
  • Blonde Redhead combines elements of Japanese noise rock with avant-garde New York City rock guitars that fluctuate between softness and a buzz-saw grind. The band will do anything to make you notice. Steady, consistent drum beats, free of flashy fills, keep you focused on that guitar whirl, and high-pitched sound effects, which sound as if they could have come off a vintage Atari video game, accentuate it.
  • FAKE CAN BE JUST AS GOOD, the band's third album, finds Unwound bassist Vern Rumsey filling in for the departed Maki Takahashi, and Rumsey's deep bellows strike a neat balance with those shrieking guitars. Together, they build jagged rhythms, which they can transform into steady riffs in the blink of an eye.
Professional Reviews
Magnet (p.114) - "[The album] finds Blonde Redhead joined by Unwound bassist Vern Rumsey and stretched to the snapping point on these eight expressions of anxiety, tension and urban angst."

Option (5-6/97, p.95) - "Blonde Redhead's love of New York art rock/no wave/noisecore is profound, and everywhere in evidence....a richly textured, finely wrought mess of a record..."

Melody Maker (4/19/97, p.51) - "...At their more conventional they recall Die Kreuzen, Pere Ubu and even Television. If you don't own anyting by Live Skull or pre-1988 Sonic Youth, you'll love this. If you do, you'll find it pleasantly nostalgic."
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