Personnel: Eric Charge, Andrew Flory, Andy Rix, John Lester, Harry Weinger, Chris Jenner, Liz Buckley, Al Abrams , Paul Nixon, Mick Patrick.
Liner Note Authors: Keith Hughes; Harry Weinger; Bill Dahl.
Recording information: Golden World (01/30/1968); Golden World Studio B 27 (01/30/1968); Hitsville USA Studio, Detroit (01/30/1968); Golden World (02/09/1968); Golden World Studio B 27 (02/09/1968); Hitsville USA Studio, Detroit (02/09/1968); Golden World (02/10/1967); Golden World Studio B 27 (02/10/1967); Hitsville USA Studio, Detroit (02/10/1967); Golden World (03/05/1970); Golden World Studio B 27 (03/05/1970); Hitsville USA Studio, Detroit (03/05/1970); Golden World (04/08/1965); Golden World Studio B 27 (04/08/1965); Hitsville USA Studio, Detroit (04/08/1965); Golden World (05/10/1968); Golden World Studio B 27 (05/10/1968); Hitsville USA Studio, Detroit (05/10/1968); Golden World (05/29/1964); Golden World Studio B 27 (05/29/1964); Hitsville USA Studio, Detroit (05/29/1964); Golden World (06/14/1967); Golden World Studio B 27 (06/14/1967); Hitsville USA Studio, Detroit (06/14/1967); Golden World (06/15/1967); Golden World Studio B 27 (06/15/1967); Hitsville USA Studio, Detroit (06/15/1967); Golden World (06/19/1966); Golden World Studio B 27 (06/19/1966); Hitsville USA Studio, Detroit (06/19/1966); Golden World (08/11/1971); Golden World Studio B 27 (08/11/1971); Hitsville USA Studio, Detroit (08/11/1971); Golden World (09/14/1965); Golden World Studio B 27 (09/14/1965); Hitsville USA Studio, Detroit (09/14/1965); Golden World (10/09/1964); Golden World Studio B 27 (10/09/1964); Hitsville USA Studio, Detroit (10/09/1964); Golden World (10/13/1964); Golden World Studio B 27 (10/13/1964); Hitsville USA Studio, Detroit (10/13/1964); Golden World (10/16/1964); Golden World Studio B 27 (10/16/1964); Hitsville USA Studio, Detroit (10/16/1964); Golden World (10/17/1967); Golden World Studio B 27 (10/17/1967); Hitsville USA Studio, Detroit (10/17/1967); Golden World (11/17/1967); Golden World Studio B 27 (11/17/1967); Hitsville USA Studio, Detroit (11/17/1967).
Photographers: Eric Charge; Andy Rix; John Lester; Mick Patrick.
Issued in the U.K. by Motown on the heels of Johnson's late-'60s hit "I'll Pick a Rose for My Rose," a number one record in England. The record never did much in the States, nor did any of Johnson's releases on Motown's Gordy label. The company never issued this album in the States, and, for the most part, treated Johnson like an unwanted stepchild. Johnson's success came prior to his joining Motown; though he recorded in the company's studios, Berry Gordy, Jr. leased his singles to United Artists Records. It's apparent why U.K. soul freaks fell for these, since most have that four-on-the-four beat (Motown-style) that they loved dancing to in clubs. "I'll Pick a Rose for My Rose," "I Miss You Baby," "So Glad You Chose Me," and remakes of "Sleep" and "Bad Girl" are solid. Another favorite is "Why Do You Want to Let Me Go," which did well in the U.K., also; Johnson really cranks it up on the chorus, and what a great chorus it is. He also does the Miracles' overlooked "Everybody Got to Pay Some Dues," singing it as if it was meant for him -- maybe it was. All are genuine Motown originals waxed in the Snake Pit at 2648 West Grand Blvd. A great pickup if you can find a copy. ~ Andrew Hamilton
Professional Reviews
Living Blues (p.70) - "Johnson's voice is strong throughout, particularly on a very churchy, never-before-released ballad titled 'Understanding'..."
Mojo (Publisher) (p.119) - 4 stars out of 5 -- "Warm-hearted pop-soul..."
Record Collector (magazine) (p.99) - 4 stars out of 5 -- "[With] a storming rendition of The Temptations' 'Save My Love For A Rainy Day' and a haunting take on Jimmy Ruffin's 'Farewell Is A Lonely Sound.'"
Uncut (magazine) (p.102) - 3 stars out of 5 -- "This 26-track collection showcases a lovely, high-pitched tenor voice..."
