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| Album: Liszt at the Opera, Vol. 4 | ||||
|---|---|---|---|---|
| # | Song Title | Time | ||
| 1) | R‚miniscences de Puritains de Bellini, transcription for piano (after I Puritani; 2 versions), S. 39 | |||
| 2) | Salve Maria de J‚rusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A14 | |||
| 3) | Don Carlos: Coro di festa e Marcia funebre, transcription for piano (after Verdi), S. 435 (LW A240) | |||
| 4) | Pilgerchor aus Tannh„user (I & II), transcription for piano (after Wagner), S. 443 (LW A210): Versio | |||
| 5) | Am stillen Herd, transcription for piano (after Wagner: Die Meistersinger), S. 448 (LW A254) | |||
| 6) | R‚miniscences de Lucrezia Borgia, Trio du seconde Acte, for piano (after Donizetti), S. 400/1 (LW A7 | |||
| 7) | R‚miniscences de Lucrezia Borgia, Chanson … boire, for piano (after Donizetti), S. 400/2 (LW 71b/2): | |||
| 1) | R‚miniscences des Huguenots, "Grande Fantaisie dramatique" for piano (after Meyerbeer; 3 versions), | |||
| 2) | Andante finale aus der Oper K”nig Alfred, transcription for piano (after Raff), S. 421/1 (LW A183/1) | |||
| 3) | Marsch aus der Oper K”nig Alfred, transcription for piano (after Raff), S. 421/2 (LW A183/2) | |||
| 4) | Song of the Two Armed Men (Die welcher wandelt), for piano, 4 hands (after Mozart: Zauberfl”te), S. | |||
| 5) | Tyrolienne, for piano, S. 385a | |||
| 6) | Tarantelle di bravura d'apr‚s la tarantella de La Muette de Portici, for piano (after Auber; 3 versi | |||
| 7) | Salve Maria de J‚rusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A14 | |||
| 8) | I Puritani, introduction et polonaise, transcription for piano (after Bellini), S. 391 (LW A74) | |||
| 9) | Fantasie sur des motifs favoris de La Sonnambula, for piano (after Bellini; 3 versions), S. 393 (LW | |||
| Album: Liszt at the Opera, Vol. 4 | ||||
|---|---|---|---|---|
| # | Song Title | Time | ||
| 1) | R‚miniscences de Puritains de Bellini, transcription for piano (after I Puritani; 2 versions), S. 39 | |||
| 2) | Salve Maria de J‚rusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A14 | |||
| 3) | Don Carlos: Coro di festa e Marcia funebre, transcription for piano (after Verdi), S. 435 (LW A240) | |||
| 4) | Pilgerchor aus Tannh„user (I & II), transcription for piano (after Wagner), S. 443 (LW A210): Versio | |||
| 5) | Am stillen Herd, transcription for piano (after Wagner: Die Meistersinger), S. 448 (LW A254) | |||
| 6) | R‚miniscences de Lucrezia Borgia, Trio du seconde Acte, for piano (after Donizetti), S. 400/1 (LW A7 | |||
| 7) | R‚miniscences de Lucrezia Borgia, Chanson … boire, for piano (after Donizetti), S. 400/2 (LW 71b/2): | |||
| 1) | R‚miniscences des Huguenots, "Grande Fantaisie dramatique" for piano (after Meyerbeer; 3 versions), | |||
| 2) | Andante finale aus der Oper K”nig Alfred, transcription for piano (after Raff), S. 421/1 (LW A183/1) | |||
| 3) | Marsch aus der Oper K”nig Alfred, transcription for piano (after Raff), S. 421/2 (LW A183/2) | |||
| 4) | Song of the Two Armed Men (Die welcher wandelt), for piano, 4 hands (after Mozart: Zauberfl”te), S. | |||
| 5) | Tyrolienne, for piano, S. 385a | |||
| 6) | Tarantelle di bravura d'apr‚s la tarantella de La Muette de Portici, for piano (after Auber; 3 versi | |||
| 7) | Salve Maria de J‚rusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A14 | |||
| 8) | I Puritani, introduction et polonaise, transcription for piano (after Bellini), S. 391 (LW A74) | |||
| 9) | Fantasie sur des motifs favoris de La Sonnambula, for piano (after Bellini; 3 versions), S. 393 (LW | |||
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