Name: Mama's Hand
Brand: Rounder Select
SKU: 17778
Price: 15.5 GBP
Availability: InStock

Mama's Hand

Rating

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Album: Mama's Hand
#	Song Title	Time
1)	Walking the Blues
2)	Freight Train Blues
3)	It Rains Everywhere I Go
4)	Tell Me How to Mend a Broken Heart
5)	Mama's Hand
6)	Old Rip
7)	No One Has to Tell Me (What Love Is)
8)	Wishful Thinking
9)	Dancing in the Hog Trough
10)	I Can Call Jesus
11)	Ain't Necessarily So
12)	Mason's Lament

Album: Mama's Hand
#	Song Title	Time
1)	Walking the Blues
2)	Freight Train Blues
3)	It Rains Everywhere I Go
4)	Tell Me How to Mend a Broken Heart
5)	Mama's Hand
6)	Old Rip
7)	No One Has to Tell Me (What Love Is)
8)	Wishful Thinking
9)	Dancing in the Hog Trough
10)	I Can Call Jesus
11)	Ain't Necessarily So
12)	Mason's Lament

Performer Notes

Personnel: Lynn Morris (vocals, guitar, banjo); Chris Jones, Dudley Connell (guitar); David McLaughlin (mandolin, guitar, background vocals); Tom Adams (banjo); Robert Bowlin, Stuart Duncan (fiddle); Marshall Wilborn (bass, vocals); Suzanne Cox (background vocals).
Recorded at Bias Recording Co., Inc., Springfield, Virginia. Includes liner notes by Tony Trischka.
Personnel: Lynn Morris (vocals, guitar, banjo); Marshall Wilborn (vocals); David McLaughlin (guitar, mandolin); Tom Adams (banjo); Robert Bowlin, Stuart Duncan (fiddle).
Liner Note Author: Tony Trischka.
Recording information: Bias Recording Company, Inc., Springfield, VA.
Lynn Morris, one of the pioneer women banjo performers to break into bluegrass, returns with Mama's Hand, her 1995 release. Morris and her band, which includes her husband, expert bassist Marshall Wilbourn, put the blues in bluegrass with "It Rains Everywhere I Go," "Freight Train Blues," "Tell Me How to Mend a Broken Heart," and more. Morris has an upbeat side as well, though, with such fast-paced pickin' as the humorously titled "Dancing in the Hog Trough." Definitely recommended for traditional-style bluegrass fans. ~ Murrday Fisher

Professional Reviews

Dirty Linen (4-5/96, p.86) - "...Morris has a distinct vocal and instrumental style, which while remaining contemporary in outlook...is perhaps a bit closer to bluegrass tradition than some of her peers..."