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Songs for the Gentle Man
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Album: Songs for the Gentle Man
# Song Title   Time
1)    Day a Way, A
2)    City-Crazy
3)    Early Morning Song
4)    Back to Stay
5)    Seagull-Sunday
6)    If You'd Been There
7)    Song for the Laird of Connaught Hall, Pt. 2
8)    Making Losing Better
9)    Lady and the Gentle Man, The
10)    Downderry Daze
11)    Pebble and the Man, The
12)    It Seems Very Strange
 

Album: Songs for the Gentle Man
# Song Title   Time
1)    Day a Way, A
2)    City-Crazy
3)    Early Morning Song
4)    Back to Stay
5)    Seagull-Sunday
6)    If You'd Been There
7)    Song for the Laird of Connaught Hall, Pt. 2
8)    Making Losing Better
9)    Lady and the Gentle Man, The
10)    Downderry Daze
11)    Pebble and the Man, The
12)    It Seems Very Strange
 
Product Description
Product Details
Performer Notes
  • Personnel: Bridget St. John (vocals, guitar, harmonium, keyboards); Peter Hall (tenor); Geoffrey Mitchell (countertenor); Brian Etheridge (bass voice); Ron Geesin (guitar, keyboards); Rick Sanders, Richard Sanders (guitar); Kate Jacobs, Elizabeth Edwards (violin); John Thompson, Jr. (viola); Angela East, Derek Simpson , Charles Tunnell (cello); William Bennett (flute, alto flute); Edward Beckett (flute); Robert Bourdon (alto flute); Tony Parsons, Colin Busby, Derek James, John Pritchard (trombone); Alan Stivell (horns).
  • Liner Note Author: Nigel Cross.
  • Recording information: Sound Techniques Ltd.
  • Photographers: Adrian Lynne; Mitch Walker.
  • Unknown Contributor Role: Littleman.
  • Arrangers: John Henry ; Ron Geesin; Bridget St. John .
  • On her second album, Bridget St. John expanded her arrangements from the acoustic guitar of her previous effort considerably, with the aid of producer Ron Geesin. While these took the risks of sometimes bathing the songs in too much fruitiness, in general the added cellos, flutes, bassoons, violins, horns, and backup voices did much to add welcome spice to a sound that had gotten a little numbingly similar over the course of her debut. The songs, too, were a little more playful and melodically interesting, though they retained the reserved, even-tempered pastoralism of her prior work. She still sounds like a challenge to raise either a smile or a frown out of most of the time, like a hermit determined to stay out of the city at all costs. It's pleasant if not penetrating rainy-day folk/Baroque, breaking out of that mood with "Seagull-Sunday" (which certainly sounds influenced by Joni Mitchell) and Donovan's "The Pebble and the Man" (with some almost comically eccentric, operatic male backup vocals). She never sounded more like Nico than she did on the too-short 42-second closer, "It Seems Very Strange," with its doom-struck harmonium. [This and her first album, Ask Me No Questions, were combined onto one CD by See for Miles in 1994, and it was also re-issued by itself on Cherry Red in 2005.] ~ Richie Unterberger
Professional Reviews
Mojo (Publisher) (p.75) - "Here he does extraordinary things with strings, bassoons, flutes, trombones and a male choir."
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