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Still Lovin' You
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Album: Still Lovin' You
# Song Title   Time
1)    All I Wanna Do
2)    I Thank You
3)    Still Lovin' You
4)    When You Love Something
5)    Pretender
6)    Anna
7)    Virginia
8)    Don't Take Your Love Away
9)    Work It Out
10)    Hollywood
 

Album: Still Lovin' You
# Song Title   Time
1)    All I Wanna Do
2)    I Thank You
3)    Still Lovin' You
4)    When You Love Something
5)    Pretender
6)    Anna
7)    Virginia
8)    Don't Take Your Love Away
9)    Work It Out
10)    Hollywood
 
Product Description
Product Details
Performer Notes
  • Full performer name: Robert Bradley & Blackwater Surprise.
  • Robert Bradley & Blackwater Surprise includes: Robert Bradley (vocals, piano); Randy Sly, Matthew Ruffino, Russ Epker, Ryan Pardington.
  • Additional personnel: Henderson Huggins, Bobby East, Greasy Carlissi, James Wailin, Chad Bush, Joe Robb, Jeff Fowlkes, Brad Wilson, Bruce Robb, Jason Maskeroth, Jim Wilson, Marcos Junca.
  • Recorded at Cherokee Studios, Los Angeles, California.
  • Personnel: Jason Mackenroth (drums).
  • Audio Mixer: Dee Robb.
  • Recording information: Cherokee Studios, L.A.
  • Photographers: Matthew Aaron; Jeff Bender.
  • What Robert Bradley's Blackwater Surprise dishes out on Still Lovin' You, to beg an unasked-for pun, is hardly surprising. It's more accomplished if unspectacular soul-rock, much in the style of his prior album, New Ground. The songs are sung with an engaging weariness, while the band stews together soul, roots rock, and bits of blues and funk to craft a 1970s-like soul sound, though more rock-oriented than much commercial '70s soul. "All I Wanna Do" and to a lesser degree "Still Lovin' You" are uncharacteristically slick, in a rather '70s sweet Philly soul way, and Bradley sounds more at ease with the more languid, down-home grooves. Some of his better efforts in that direction are "When You Love Something," which has a yearning arch slightly reminiscent of old soul staples like "When a Man Loves a Woman"; "Pretender," which has the sorrowful quality of some of the Band's work; and "Hollywood," in which a bluesy lope informs reflections on getting swallowed up by Tinseltown. ~ Richie Unterberger
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